Sword and Sorcery

“I was actually tired of sword-and-sorcery as the genre then existed. I admired the work of C.L. Moore, Leigh Brackett, and Fritz Leiber and continued to respect the vitality and invention of Howard, but I had little time for the likes of Tolkien and Lewis, whom I regarded as bad popular children’s writers whose moral attitudes were highly questionable and whose particular syntheses had none of William Morris’ vision, Howard’s manic originality, or Leiber’s sophisticated flair. I was, I suppose, bored with the form itself. So when Carnell commissioned the first Elric story I decided I would try to do something as different as possible from everything which then existed.”
—Michael Moorcock, introduction to “Tales of the White Wolf”