I grew up with KSTW-11 every weekend playing monster and kung fu movies (those being cheap air-filler for a non-network station), and Godzilla to me is rubber suits smashing balsa-wood cities and toy trains. After a long dry spell of the ’80s and ’90s Godzillas being mediocre, I loved the Lovecraftian GMK: Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack and the very goofy Godzilla Final Wars. But I haven’t kept up with the last few.
So, anime Godzilla on Netflix? Sure. Long weird backstory about aliens coming to Earth, Godzilla winning anyway, Humanity & two alien species (who look just like pale or red Humans; no Xilians or mutants in this one) fleeing to space, was this in the last couple movies? Anyway, long recap/setup I didn’t care for at all.
Then 20 years in deep space later, after spacing the old people, they argue a long time and eventually space-warp back to Earth, but it’s 20,000 years later there.
Earth is overrun with Godzilla and smaller monsters, the atmosphere full of chaff from the monsters so long-range comms don’t work, but criminal/Space Captain Awesome is gonna save the day.
“What? Send the landing ships to the front line? It’s too dangerous. If they get shot down, how will we return to the mother ship?”
“But we’re already home. There’s nowhere else to return to but here. Isn’t that right?”
The alien high priest says Godzilla is divine punishment for thinking you rule the world. Or as the song says, “History shows again and again how nature points out the folly of man. GODZILLA!”
Of course, the Godzilla you can defeat is not the true Godzilla.
Visually this is OK, a lot of it is just filtered 3D CGI to look cel-shaded, which I’ve mostly only seen in shitty sports anime or later-generation Transformers; it doesn’t look bad, exactly, but it doesn’t look like animation. Give me Neon Genesis Evangelion any day.
Plot, there’s a lot of arguing and not much gets done from that arguing. A serious editor could cut 50% of this and make a better movie with the same plot. Most of the dialogue is “Space Captain Awesome! Sempai!” “Yes, we must throw our lives away for heroism!” and screaming, it’s not good.
Godzilla’s new wrinkly metallic look isn’t my thing, but it’s functional; she doesn’t move much, just stands there and fires atomic breath, occasionally swinging at something. I so much prefer the classic rubber suits jumping around and being physically in the scene.
Meh. I’ll watch the rest, but at present I’m not impressed. Maybe I’ll just rewatch GMK.