Most of these are “Retro-Wave”, because New Wave is old. I miss the ’80s. Anyway, have a better 2018 than, you know, the horrifying apocalyptic nightmare we can’t wake from currently.
- Sentient, by Perturbator
- Please, by Lake Radio
- The Fourth, by Chris Malinchak
- Telefuture Theme, by Mitch Murder and on Apple Music
- Fantasy VHS, by Luxury Elite and on bandcamp
- Modern Love, by Kristine, Barretso Remix
- Hello Meteor
- Sellorekt/LA Dreams
- Silicon Love, by Lifelike
- Human, by the Human League – OK, some old New Wave.
- True, by Spandau Ballet
Legit email from Jeff Bezos
One correction: “Because I believe all Amazon employees should be free to cry at their doordesk no matter where that doordesk is located.”
I just had this dream/nightmare, so now I’m telling you so you can be scared.
I was one of the only Humans ever abducted and brought to live in alien society, mostly in space stations. I was getting along as a PI/thug for hire since Humans are more casually violent than aliens, who are mostly small and peaceful. Their infosystems are ridiculously open and simple, so I can just code around anything. I suspect Humans had been loose in the Galaxy before this cycle of civilization, because they already had a suspicious fear of our kind.
Then I hear about a ship full of Humans coming, so I bribe/threaten the dockmaster into giving me the passenger manifest. It’s Mark Zuckerberg and a shitload of Facebookers. A few seconds of thought reveal how this is gonna go: Facebook infestation, spreads system to system, within a Galactic cycle everyone would be their slaves.
I get ready to take my ship to the other side of the Galaxy, figuring 100,000 years time and light-years should keep me safe (even in my dreams, I don’t believe in bullshit like FTL travel). The station panics, having never seen anything that scares a Human. I get out to the edge of the system, see their ship on my radar. Moral quandry: Should I kill them all, and prove how violent Humans are, or let these predatory literal motherfuckers loose on defenseless little alien critters?
I woke up. What I’m saying is, if you meet a Facebooker, kill them before they get out into the Galaxy.
- Bright: Shadowrun 2017, crossed with Alien Nation and Training Day.
“Everywhere I go, why have Orcs always gotta be the bad guys?” “Don’t look at me, man, Mexicans still get shit for the Alamo.”
Well, the racist assholes have a point with the Orcs. I dislike the green-pale streak makeup, and they just have penis-noses instead of proper pig-noses. They’re doing properly menial and militant work, but I got no sympathy for the species. Elves are as graceful and psychopathic as you’d like. Other than a single shot of a Centaur, and mention of Dwarfs, no others of the “9 Races” are ever brought up. Humans of every color seem to have no beef, since they can “Other” the non-Humans.
Somehow culture & tech are the same as our 2017, despite a massive war against a Dark Lord 2000 years ago; I think the Dark Ages starting 400 years early and full of magic races would change things. Shadowrun had the excuse that magic and monsters were gone for thousands of years (since 3113 BCE), until the Sixth World started (in 2011 CE).
Almost all the secondary chars are awfully written, and parts of the plot just dangle and vanish.
Reasonably good fight & chase scenes. The Magic Wand (“a nuclear bomb that grants wishes”) is a good McGuffin, but far too OP.
The fighting skills of even high-level Elven mages are overstated. Maybe the Elven assassins, sure, but a mage without her Wand?
Mostly I enjoyed it, but it’s basically a B-movie with a huge budget. Hawk the Slayer is a better film. Netflix is already working on a sequel, with Will Smith coming back.
Longmire: Final season was adequate, but almost entirely resolving dangling plot threads from the characters, not standalone cowboy/Indian rez mysteries which is what I started watching for. Lou Diamond Philips as Henry Standing Bear has very little to do, and semi-useless NPCs spend a lot of time on screen. Even so, the Cheyenne (and one Crow) characters and politics are worth watching it for.
★★★☆☆ for S6, ★★★★☆ or more for S1-5.
The Magicians: Pretty young rich white people (PYRWP) discover they have magic (no Hagrid) and are spared the hardship of going to Harvard or Yale. Whiniest of the PYRWP discovers his favorite fairy tale book is real, so doesn’t mind that his only friend is kicked out. Token minority is an unbelievable asshole who should get cancer of the hate organ. Ice princess, catty slut, and gay slut PYRWP follow whiny boy and token asshole around despite their average Intelligence, Wisdom, & Charisma scores of -6. Gay slut kinda grows on me as he has some self-awareness. Ice princess has unrealistic expectations of her whiny, mentally ill “boyfriend”.
Magic school rejects turn on each other like New York rats with less empathy. The magic system is nonsense which exists only to show cheesy visual FX and make hedge mages behave like crack junkies.
Racism is overwhelming. Don’t be black in this show: SPOILER: Black Dean is blinded & hands maimed. A black magician goes catatonic & is “mercy killed”. In S2 the four PYRWP all get crowned as kings and queens, while the token asshole gets his hands cut off like a slave in Columbus’ Hispaniola or the Belgian Congo. I don’t know if this show is made by actual Nazis or just ignorant honkies.
But the plot saves this from being a total train wreck. I love the fairy tale world gone bad and the broken kids who went into it; it’s not TOO fairy-tale but doesn’t operate according to reason. The villains are there for good reasons, and are willing to do anything. Everyone uses what shitty skills they have to solve problems.
With a totally different cast and less entitled, racist premise, this could be a good show instead of a hate-binge.
This also matches somewhat with the magic school RPG I’ve been designing, tho the PCs aren’t required to be PYRWP, and my magic system isn’t finger-twiddling gibberish.
It Comes at Night: After a deadly plague, taking in tenants is a bad idea especially if you’re paranoid. Excruciatingly slow and often repetitive, setup as something like a monster movie but it’s not at all. Like The Road without the sense of camaraderie, adventure, and hope. Credit: The racially mixed cast is not abused for racism.
Fortitude (Amazon): Arctic outpost town, surrounded by hungry polar bears. Norwegians funding a hotel, wrecked by local problems. “We have no crime. So we don’t know if he’s a good sheriff or a bad sheriff.” The latter, it turns out.
And then there’s a really weird murder. Kinda deliberately like Twin Peaks and Northern Exposure with only a very little humor. I don’t like anyone but the crazy old guy and the American investigator, everyone else is self-destructive in annoying ways. And yet… Still going. Good winter viewing. As the emergency gets worse, people get worse to each other, which is what I like to see.
Accents are all over the place, London English, but then there’s Irish, American, and some spectacularly bad Russian-like English, some of which are supposed to be Norwegian. I watch too many subtitled Scandinavian crime dramas to be able to tolerate this lack-of-translation bullshit anymore.
I dunno if having Frank and his son, the only black people for 1000 miles, who SPOILER REDACTED, is racist but it’s not great.
Very unhappy with their “Next Time” spoilers right BEFORE the fucking credits with no warning. Hate you, stupid Sky TV producers who do this shit.
I don’t want to be harping on the racism, it’s not my fight, but it’s so obvious in some shows. I feel like the last few years have had more non-white characters but treated them with far worse racism than before.
There’s a lot of sexism, rapes, and sex-shaming in The Magicians and Fortitude, too, but I have a hard time telling that apart from “normal” TV prudery where all sex except in obedient 1950s marriages is Bad & Wrong.
So micro.blog has a new icon (apologies for the Twitter link), which looks good if rather pumpkin-spicey on the Mac desktop. But then on iOS they put it on a sterile IVE-1138 white background which is eye-searing gold/white or maybe blue/black. I can’t tolerate more of that, and Manton won’t listen to reason.
Well, I was living in filth anyway with a Springboard full of random crap, so I cleaned up with Launch Center Pro and a few folders for tools I use all the time, everything else is still in folders on pages 2-3. The custom icons are still a work in progress, I’m just using the cheesy prefab icons in LCP, but at least they’re consistent.
So now I have this:
Music app is still ugly, but I need it. The “Safari+” icon is just an about:blank page saved to Springboard, so when I tap that I get a new browser page; I don’t think it can be recolored easily. Again, ugly but it’s the only one of its kind. Mail’s upside-down gradient is embarrassing, how does Apple not see that and FIX IT?! Light should be coming from the top left in all UIs, that was decided on NeXTstep 30 years ago!
If we could have transparent icons, or place icons freely, I could move the chat apps to the bottom, but currently you need a single-color opaque background for icons. Why does Tim Cook’s Apple so hate fun and beauty, and let “Sir Jony Ive” (I didn’t vote for his tragically un-beheaded “Queen”, and a man who would bow to a monarch is no man) inflict his anti-aesthetic on everyone? Why do people follow along with this?
… I’d say “I’m moving to Android!” but that’s an even worse shit-show.
Just discovered that iTunes Store [mdh 2023: defunct link] has Hardware (Richard Stanley, 1990) for $9.99 in HD! Blu-Ray is out of print, DVD was a trash VHS port. Best punk rock SF apocalypse flick. “It’s horrible, I love it!”
One rewatch later…
Hardware looks even more prophetic now than when young cyberpunk Mark would watch the VHS over and over on a shitty CRT. Get used to the world of ecological disaster, locked into your apt by security systems installed by panopticon-watching perverts, terrorists with trucks smashing open buildings, people squatting & scavenging in the ruins. When a billion people near the uninhabitable equator starve and try to migrate away from global warming, you think anyone’s gonna take them in? Or will we just irradiate the planet fighting wars, sterilize the mutant population, and let Google’s autonomous killer robots knock us down to carrying capacity? I never believed in a future, and here it is.
… So, that went a little dark. Have a drink, a joint, a fuck, make some art, and play some cute distracting videogames to forget about the end of the world.
The soundtrack’s another OOP classic, but here’s the day’s music based on it:
- Dawnrazor, by Fields of the Nephilim: Carl McCoy of FotN is the Zone Tripper, and they were intended to be the opening song, but Virgin only wanted their own artists.
- The Nephilim, by Fields of the Nephilim
- Elizium, by Fields of the Nephilim
- This is What You Want, This is What You Get, by Public Image Ltd
- The Mind is a Terrible Thing to Taste, by Ministry
- The Land of Rape and Honey, by Ministry
- Bomber, by Motörhead
- Ace of Spades, by Motörhead
- Raw Power, by Iggy & the Stooges
- Instinct, by Iggy Pop
So, Apple broke Icon Composer in some recent update. There is no designer replacement except command-line iconutil. WTF?!
And be sure to check out Apple’s Developer portal which tells you Clash of Clans and search ads are the Best of 2017.
Gen-X (remember us? I suppose not.) invented l33tspeek but knew when to stop doing it. Now, “old people” use ellipses… and end texts with a period, and it makes the Millennials upset.
Back in the day, all we had were tin cans & string, er, BBS’s, which were like Thunderdome without the sense of fair play, but we also tolerated much weirder behavior, and at worst you couldn’t call back to one board in your city. Now if you say anything any one of the kiddie mafia doesn’t like, they all have a toddler meltdown at you, over the tin can network we built.
I don’t have a solution for any of this, just kicking out Tiny Tim’s crutches and laughing at him, as one does this season.