- Netflix trailer: FUCK YEAH.
And my favorite AMV (anime music video) of all time:
- AMV - Neon Genesis Evangelion - Rammstein - Engel: "Goddamn not an angel when I die!"
Seriously. I know very little about this whole genre. So here I will enumerate what I know about the poke mons:
Anytime I feel bad about my slowness of production, the inconveniences in my life blocking me from getting work done, I remember the MegaTokyo Visual Novel, which I paid $50 for in 2013, and of course Fred never shipped, he never finishes anything. I knew I was throwing my money away then, and the $299,184 he raised may as well have been set on fire for all that'll come of it.
Today, MT rant has a bit of a status update, first one in a year.
So in comparison, I'm a fucking machine cranking out the awesome. Where's my third of a million bucks?!
Most bizarre thing ever: Cells at Work. Your body as a city with every cell as a person. Paramilitary white blood cells and hapless red blood cells delivering oxygen, protecting their world (you) from horrible tentacled monsters (germs).
I've been watching some dull horror movies (The Strangers, among others) which I haven't blogged, and this is better paced and has better characters than all of them combined.
The world is a little too generic with street & industrial scenes, lazy animation, but overall a neat trick.
I grew up with KSTW-11 every weekend playing monster and kung fu movies (those being cheap air-filler for a non-network station), and Godzilla to me is rubber suits smashing balsa-wood cities and toy trains. After a long dry spell of the '80s and '90s Godzillas being pretty terrible, I loved the Lovecraftian GMK: Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack and the very goofy Godzilla Final Wars. But I haven't kept up with the last few.
So, anime Godzilla on Netflix? Sure. Long weird backstory about aliens coming to Earth, Godzilla winning anyway, Humanity & two alien species (who look just like pale or red Humans; no Xilians or mutants in this one) fleeing to space, was this in the last couple movies? Anyway, long recap/setup I didn't care for at all.
Then 20 years in deep space later, after spacing the old people, they argue a long time and eventually space-warp back to Earth, but it's 20,000 years later there.
Earth is overrun with Godzilla and smaller monsters, the atmosphere full of chaff from the monsters so long-range comms don't work, but criminal/Space Captain Awesome is gonna save the day.
"What? Send the landing ships to the front line? It's too dangerous. If they get shot down, how will we return to the mother ship?"
"But we're already home. There's nowhere else to return to but here. Isn't that right?"
The alien high priest says Godzilla is divine punishment for thinking you rule the world. Or as the song says, "History shows again and again how nature points out the folly of man. GODZILLA!"
Of course, the Godzilla you can defeat is not the true Godzilla.
Visually this is OK, a lot of it is just filtered 3D CGI to look cel-shaded, which I've mostly only seen in shitty sports anime or later-generation Transformers; it doesn't look bad, exactly, but it doesn't look like animation. Give me Neon Genesis Evangelion any day.
Plot, there's a lot of arguing and not much gets done from that arguing. A serious editor could cut 50% of this and make a better movie with the same plot. Most of the dialogue is "Space Captain Awesome! Sempai!" "Yes, we must throw our lives away for heroism!" and screaming, it's not good.
Godzilla's new wrinkly metallic look isn't my thing, but it's functional; she doesn't move much, just stands there and fires atomic breath, occasionally swinging at something. I so much prefer the classic rubber suits jumping around and being physically in the scene.
Meh. I'll watch the rest, but at present I'm not impressed. Maybe I'll just rewatch GMK.
The game progresses VERY quickly at first, such that in 5 days of light playing I'm Level 50, geared up nicely, about ready to do the 5F labyrinth and boss, and then I expect 50-60 grind to be harder, since 6F is I think the top currently. The game devs have a lot to work on, since there's 100 floors in Aincrad.
I spent quite a few hours this morning grinding very difficult 5th floor mobs from 40-50 to get the mats for my level 50 armor and level 45 weapons, which didn't help me at all until I hit those points; it would've taken another day to get everything at 50.
Where the gear says "Lv1" or "Lv20", that's the experience level, which is unrelated to the gear level. While that's obscure, it's kind of interesting, lowbie gear with high experience can be nearly as good as high-level gear with no experience, but won't have as nice a set of "random bonuses".
Why does my heavy chestplate look like it has boobs? The other armors are more angular. I'm using costume pants to cover up the ugly jodhpur lower armor, but I don't have a costume shirt yet.
There's a lot more gear and skill depth than you'd ever expect in a mobile game, it's more like a desktop MMORPG. The fighting game is somewhat simpler, since the tiny UI and a few touch buttons limit it, but positioning and teamwork (even with your invulnerable NPC partner) matters, there are boss mechanics, and even normal mobs can be complicated. Poison and paralysis are incredibly dangerous, as seen in the books and anime; I just swapped out a skill with a good defense bonus for a poison reduction because I want to survive.
The only thing that I'm much disappointed in is, they didn't do permadeath even tho that's the premise of Sword Art Online. When you die, you can use up a (somewhat rare; I have 5 left) recovery crystal and instantly revive, or just return to 1F city. You should be deleted and have to make your character from scratch. If they wanted to be nice, they could let you keep your gear, but lose all experience. As it is, it's like any MMO where you can die a few times.
Only 1F is even slightly detailed, with a city of 3 areas, a town of 2 areas, and 3 fields of easy monsters; floors 2-6 are 2 areas each, but I expect 10F will have another city and multiple fields, since that's how the books and anime are structured. But it is very lovely:
Because I've forgotten a lot of side characters who are showing up in the game, I started reading all the light novels from the fan translations. I'd previously just seen the anime and read the first few manga adapted from the novels, but now I am a bona-fide teenager reading trashy pulp novels, oh, wait, that's exactly what I've always been.
Happy Valley: 2 seasons (and a 3rd is planned) of a middle-aged English policewoman chasing murderers in a small town. I find Flock of Seagulls, the first season junior antagonist, utterly unthreatening, but he has his moments. The 2nd season arc was a little obvious, Moaning Myrtle was sinister as hell but with minimal payoff. Still, it's as good a police procedural/mystery as I've seen in ages. ★★★★☆
Message from the King: South African badass Jacob King comes to L.A. looking for his missing sister. The plot's a little opaque at times, Jacob is a mute statue except for some side-eye, and there are far fewer guns and security systems than I'd expect in L.A. underworld, but the fistfights and stealth missions are good. It's very reminiscent of The Limey, but much grubbier and less fun. ★★★☆☆
Rick & Morty S3: Holy shit. Pickle Rick with Danny Trejo. How many times can I spam the star button? ★★★★★★★★★★ I do want at least one of the dumbass improv cable show eps this season, we can't take a constant dose of this like that Statham flick Crank.
Almost no anime. Last year's Crunchyroll simulcasts had Gabriel Dropout (seriously Gabe is my spirit animal: A dropout who wants to destroy humanity), Miss Kobayashi's Dragon Maid (this might be a tech blog? She's a Python programmer! She's writing Django all day in a soul-crushing open-plan office without even a cubicle!), Akashic Records of Bastard Magical Instructor (awesome title, sometimes great characters & plots, endless filler crap in between), some Sakura Quest (cute start, and hooray, more shows about adults with jobs! But this was too mellow and sappy). Everything else this season seems to be a ripoff of Sword Art Online without the cranky MMO-soloing protagonist in black (ahem), or rom-com. Get your shit together, Japan, you're being out-weirded by a Marty McFly & Doc Pickle cartoon. ★☆☆☆☆