What I'm Watching: What Did Jack Do?, Isekai Quartet, Overlord

What Did Jack Do?: David Lynch sits in a barren room and interviews a monkey (with terrible Conan O'Brien quality fake mouth dubbing). What eventually comes out is a broken heart sob story, a mediocre lounge song, and an arrest on motive but no evidence. Jack won't be serving hard time on this. Dialogue's pretty erratic, long pauses and non-sequiturs, so I suspect Lynch was either on something or doing a cut-up or some other non-rational writing process. The setting is supposed to be a train station, but it looks like a disused back room with a white light panel, which is what it is; there isn't even any foley to suggest location. The waitress with their coffee is the only other actor, and has barely two lines, and neither touch their coffee. If it wasn't Lynch, nobody would watch this.
★☆☆☆☆

I've been pretty bummed out by recent anime and Crunchyroll in particular for the last couple years, there just isn't much new except slice-of-life-kiddies-with-powers shows. Anime can draw and be anything, but in practice much of it is garbage for teenagers so dull-witted they can't picture anything except themselves.

Isekai Quartet is a mockery of that. Chibi versions of characters of four isekai (Narnia type secondary worlds) shows, KonoSuba and RE:Zero (which are all but indistinguishable), Saga of Tanya the Evil (a good but very grim show), and Overlord (which I had not previously been aware of), all find a shiny red button with no label. Idiots push buttons. And they find themselves in… something like our world, but not. With a creepy harlequin teacher who says they must "experience school life" and "it'll be fuuuuuun".

However inappropriate for the characters, the classroom is a good structure for making these weird dumb characters interact. Tanya is paranoid but smart, Ainz Ooal Gown is a creepy lich but actually quite reasonable, and the idiots of the two dumb isekai wreak havoc and fail to play nicely with their classmates. I loathed Aqua in KonuSuba, and she's the whipping boy (however much the paladin would prefer to be).

As a dozen 12-minute episodes a season, there's no room for sitting around whining or complex arcs, only A-plot and parody of each show's tropes. Light and stupid entertainment, but less stupid than some of the source material. I'm less impressed with the first 2 eps of S2, with almost straight, "sincere" takes on some kiddie videogame anime.
★★★½☆

Overlord: Based on the previous, I gave this a shot, and it's going well. The guildmaster of a VR MMO guild for monster players, formerly dozens but now there's just this one lich, plays with the artifacts and NPCs of their fortress on the final night before shutdown. I know the feeling, I always ride servers down if I'm playing on maintenance nights, and join the final night parties when servers are shut off.

And then… it doesn't log him out. The game world is real. And the NPCs are real, and so very needy.

There's some fantasy adventuring business, but pleasantly different being the antiheroes, which I prefer. And the psychological profile of a man slowly going nuts in a new body with different needs than Human. When he abandons his Human name, Momonga, and takes the name of his magic artifact Ainz Ooal Gown, he steps over a line.

★★★½☆ Early to say, but enjoyable.

A Little More Magia Record

The JP site has little weekly update comics, which have mostly been translated by fans:

Mostly just gags about bad pulls and events after they're over (in JP timeline; the EN timeline should be following the same pattern eventually), but a few honestly great jokes about Madoka like the one above. (in case you didn't know, read right to left)

Two pulls got me a better tree AOE DPS ★★☆☆ (Hinano is a monster in combat, everything dies in explosions), a fire DPS ★★☆☆, a light support ★★☆☆ (totally useless because main is light support), and… dark vampire DPS ★★★★! Hooray! Not the one I want, but an acceptable start.

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Figured out where the equipment is, you get "Memoria" cards which give boosts and skills, assign them on the team screen, and eventually you can unlock up to 4 slots for these. I got a few ★★★★ cards from a free support pull (forgot to screenshot it) and they make a huge difference in killing shit above my level. Before, I near TPKd once, had a few HP left on one girl when I finished a fight, everyone else was dead (well, KO; you can't kill magical girls without SPOILER). Now nobody goes below half HP even fighting twice my level.

Tactically it's getting pretty interesting. I wish I had more combat layouts. The T-shaped one is more powerful, but gets me hammered by any AOE mobs. The X-shaped default only buffs one girl, and the main needs DEF UP to survive, but ATK UP is wasted on her. But I'm not willing to pay real money for the one I see in the shop, so it's grind grind time.

They really got the witch art style from the series into the game:

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The one complaint I have is there's not a lot of Energy. So it's back to playing for half an hour, putting it down for 12 hours. Which is good discipline but normally mobage give you a huge burst of Energy at the start of the game to draw you in, before hitting you with the hard reality of the money-or-time economy. I'm not buying Energy potions or whatever they're called. I miss DanMachi's near-endless supply of "potato snacks" to restore Energy, from just doing dailies. You could run out, but it took grinding all day to do that.

What I'm Playing: Magia Record

A Puella Magi Madoka Magica mobage!

It's very cutesy, aimed at teenage Japanese girls and horny otaku boys, so I'm not likely to play very long, but I really did enjoy the anime series. If you haven't seen it yet, go watch that at the very least up to episode 4. Then it flips from "magical girls" to cute Lovecraftian horror and you'll be hooked to get to the end.

You don't play as the main characters from the anime, but entirely new characters. The main is very Madoka-like, except she took her contract, and the Homura-like Yachiyo antagonist/rival is great, a menacing rational magical girl. Kyubey is not yet a terrible existential threat.

There's the usual very long tutorial where you hit the buttons they tell you to. Eventually it lets you use the menu and go home and play around with the app. I don't even mind doing a campaign, but I want the ability to jump to home and change things, which tutorials prevent.

It's gachapon, and I haven't got enough for a 10-pull yet, so I dunno what the other characters are like. My free pull was a ★★★ tree-element flower girl, who's fine as long as she's not facing fire, which is like 50% of the fights where she's useless. I could reroll, but I never do that, I just grind a bit more.

Combat is turn-based, with 5 elements: Fire beats Tree beats Water beats Fire, and Light beats Shadow beats Light. There's a random selection of maneuvers that affect parts of an enemy formation or give bonus magia or damage, plus skills, plus limit breaks Magia Specials.

There's no equipment? But you can power up your magical girls with various gems, which seems much the same. It's a rich character development system, for sure. There's a bit of cheesecake in the costumes, which verges on lolicon already.

It's free to play, just don't buy anything from the store if you're not into blowing money on this kind of thing; you can apparently grind out most of the content free.

Evangelion Session 4: E11-12

Almost normal mecha show episodes: NERV HQ is shut down by unknown attackers by unknown means so everyone has to infiltrate the base and do a launch manually. Security really isn't very good when the power's down, three children are able to break into NERV. And then the orbital bombardment… Accurately understands the kinetic power of dropping things from orbit. The "miracle" of holding your hands up and wishing (OK, with an AT Field) is a little cutesy.

Maybe the NSA shut NERV down with STUXNET. You know in this setting the US espionage services would be incredibly perturbed at Japan having such an essential resource, we've seen "UN" ships with very obviously US-supplied Naval officers being pissy about it.

Misato's backstory and damage, similar to Shinji's and Asuka's, leaves her easy prey for Gendo's schemes. All the awkward people are excluded at the party, while the noisy ones make a mess. The phone call with Shinji and Gendo is just terrible, "Don't put him through ". Then later, all Shinji notices is that this is the first time his father's ever praised him. He can't even notice Asuka's abuse. There's long stretches of Asuka screaming at people I just tune out (and I know perfectly well why I react that way from my own psychological damage).

The Angel designs in this one are very goofy, the Johnny Quest-looking spider with dripping eye-chor, and the orbital happy-face thing. As we'll see later, there's not a universal leader behind the Angels, Adamic life doesn't seem to be able to coordinate or communicate with each other (and only occasionally with the Humans), they're just trying to reach Adam or Lilith, so each one comes up with its own plan and carries it out.

While sailing to the Antarctic recovering the Spear of Longinus, Gendo & flunky muse that Humans survive because of Science. I think it's more that a swarm of Humans collaborate, which beats the vastly superior solitaire Angels.

Evangelion Session 3: E08-10

Asuka strikes! The terror of the show. The worst Human who could possibly be one of the Children. Great T&A fanservice as long as you don't mind her terrible shrieking voice or brutal abuse of everyone around. So, the kind any project attracts. "Why is she so bossy?" "Why are guys always so stupid and horny?!" Gee, Asuka, I dunno, maybe it's because you strip-tease in front of them and then get mad when they look? It's impressive how Rei just shuts her down, though: "I'll be your friend if I'm ordered to."

Once there's more than one of the Children, the expression "First Children", "Second", "Third" seems weird; it's literal English in the Japanese script, but should have been "Child" or "of the Children" and then you'd ask "whose children? Why Gendo's?!" And speaking of, Gendo spends no time in the base; Rei would be lonely if she knew what that was. Shinji's used to his absence.

Dance Dance Evangelion ep is ridiculous, reminds me very much of the comedy filler episodes of Slayers. Synchronized tooth-brushing and dancing just so they can hit a target at once. But it does start to humanize Asuka, which Rei still hasn't had.

Magma bath has Asuka behaving slightly less awful. She's still a bossy prima donna, and her crush on Kaji is ridiculous but nobody's yet called her on it, but she actually steps up and does her job for once with a minimum of screaming hissy-fit. It won't last.

But here and the first Asuka ep we finally get to see the lifecycle of the Angels, or more accurately Adamic life, starting as Human-like fetuses but almost instantly developing according to genetic programming. Interesting parallel to the Perfect Being in The Fifth Element; designed to look like a person, but she's far far more than that, and can be regrown from just a few cells.

Back in the day, this is where the first sequence of bootleg tapes ran out, and there was a long interregnum, I think most of a year, before we got more. So there was an over-analysis of these, which isn't really helpful because so much more backstory was written later.

(I got the toy in a LootCrate. Obviously, I would much rather have had Misato or Rei; this one keeps yelling at me.)

Evangelion Session 2: E05-07

Stopped just short of Asuka. That's too much to leave as a cliffhanger for one day.

Rei's early appearances are even more stiff and awkward with everyone except Gendo than I'd recalled. She is an utter robot, not even autistic or depressed and withdrawn, but just not there. That weird smile is almost worse than nothing.

Misato in a towel, and Rei in a towel or nothing at all, the fanservice was a little heavy still, but less than the first few eps. Misato's morning ritual is how I lived my 20s, too, but sooner or later that catches up with you. Just coffee now.

The "Human weapon" ep… if you wondered how cold and calculating Ritsuko and Gendo are…

If you're missing the old ED music instead of Rei's theme, because the songwriter and 26 artists couldn't make a deal with Netflix:

  • Every "Fly Me to the Moon": I recommend watching it now, maybe youtube-dl if you want to keep it. (minor annoyance: It's in webm, so I now have 4 CPU cores on fire[^1] trying to convert it to mp4)

The reviews are in!

Netflix isn't providing subs for some of the text screens, but they're usually duplicated later in English (at second commercial break?). I can read enough kana to recognize things like the roommate chore board being all シ (Shi, for Shinji) and just a few ミ (Mi, for Misato), which is funny because she won't even do those days. This is really motivating me to get back to learning Japanese properly, because just reading nonsense words is frustrating. I accept that my calligraphy will always be shit.

1:

Evangelion Session 1: E01-04

In the distant future of 2015… after the Second Impact in 1999… SIGH. Those seemed like plausible "future" times when this came out, really.

Netflix defaulted to JP/subtitles for me, but I tried the EN dub for about 15 minutes. It's OK, maybe better/more literal than the old one? Nobody sounds goofy, Shinji's very mild, as he should be. But I went back to JP, at least for this first time thru. Might do a dub watch second run.

This is the Netflix English dub actors list:

Looking some of these up, they're interesting choices. Several also appear in the new Gundam dubs. The Shinji actor Casey Mongillo being a transwoman is very appropriate, given Shinji's gender ambivalence.

It's weird that Netflix changed the "Fly Me to the Moon" cover from the end credits, it's just incidental music now. Rights problems? I never felt it was really appropriate, but I only sit thru the end credits to see the "next episode" bit, which is A) Not very spoilery, and B) sometimes contains in-jokes. "More fanservice" is not so much a joke as self-awareness; there's a lot of T&A from Misato and even scientist Ritsuko in early eps.

I am just as much in love with Misato as I was when I first saw her. When she kicks her clock and wakes up looking like a storm hit. Whoo.

Get in the damn robot, Shinji. And follow Misato's orders, ya little creep. I'd forgotten about the blackout/flashback structure of E01-02. The dumbass schoolkids are great for illustrating how weird Shinji is, but they're an annoying distraction the rest of the time, and they mostly get dropped later.

The constant SDAT rewinding of tracks 25 & 26…

Only goes up to 22, so I dunno how he's listening to the last two eps (yes, I know Shinji doesn't have the OST to his own show on his SDAT. OR DOES HE?!)

Neon Genesis Evangelion

There's lots of theories about what order to watch. Just watch it straight through, maybe no more than 2-4 eps per day because this is some heavy shit for what's ostensibly a "mecha anime". Definitely watch eps 25 & 26 and then the movie, End of Evangelion. Evangelion Death(True)² is a recap/remake which is entirely optional, but fine afterwards; I barely recall Death & Rebirth.

If you're very confused, that's fine, that means its working. Keep watching.

What I'm Watching: Appleseed (1988)

As I noted in Alphaville, Appleseed covers similar ground. Been a few years, so I rewatched it.

But back up a bit to the manga. Shirow Masamune's first manga was Black Magic, about a computer-controlled society of animal-people on a habitable Venus, 60 million years ago when the Earth is full of dangerous dinosaurs, and a powerful young sorceress and her friends who hang out at the Onimal bar fighting the AI throughout the solar system. Rogue AI death machines (in that case cute little "M-66" infiltration/assassination robots) are released, death and mayhem ensue, civilization falls because people lazily give up control to the machines. It's a fantastic book, but too silly at times for the message he wanted to send. There is an "M-66 Black Magic" anime about just the robots but set on modern Earth, incredibly dumb though it does have some T&A which young Mark enjoyed.

Appleseed's 4-volume manga is a reboot of similar ideas, set after nuclear war, with an artificial city controlled by an AI "Gaia", populated by bioroids (in the manga, they go into detail about just how artificial they are; the older ones are more machine than biological and tied directly into Gaia) as servants to a fraction of Humanity. But servants with power don't remain servants. Athena, city administrator biodroid, is torn between wanting to get rid of the Humans entirely, and fulfilling the original mission of the city; and ultimately she's just a tool of Gaia. Wasteland survivors have been brought into the city and haven't really been domesticated, but are trying to make the city work. And terrorists want to tear down the system.

The 1988 movie covers the first volume, sort of, and a bit of the others, and doesn't use the appleseed of the title. There's been a bunch of remakes, but the original's the only one that addresses the moral issues at all. The first two CGI films (Appleseed (2004) and Appleseed Ex Machina (2007)) are unspeakably bad action flicks with preposterous mega-boob physics and cartoon blowjob-doll face for Deunan (who is not so endowed in the manga or anime), and while I haven't seen the reboot CGI flick Appleseed Alpha (2014), it's a "prequel" which has nothing to do with the manga. There's also a TV series Appleseed XIII (2013) which is more action flicks about WOO DEUNAN SHOOT GUNS.

I wouldn't classify any of these exactly as "cyberpunk", because they're not about the street finding new uses for the military-industrial complex's technology; they're about the military-industrial complex. Hard SF, and in the original with a political axe to grind against AI.

I plan to reread Ghost in the Shell's 3 volumes of manga as well, and then I'll comment on the competent but over-simplified 1995 movie and the other junk around that franchise, which follows a similar pattern.

So, read comic books for big ideas, kids, don't look at fucking moving pictures. But I'll talk about the moving picture anyway.

Obviously, this is peak '80s. Like more '80s than the '80s were. Big hair, shoulder pads in women's suits, pastel colors, neon, sleek but sharp vehicles instead of little melted blobs, battlesuits that look like perfect Japanese motorcycles instead of piles of scrap metal held together with hot glue. The music is new wave and smooth jazz, what the Kids Today™ call "synthwave" but this is real, not synthetic, synth music. Cel animation is expensive and backgrounds are pretty static, there's none of this bullshit of using 3D CGI with light cel shading to pretend you're drawing something, no, Human animators toiled over every frame. If you don't like the '80s aesthetic, get the fuck out, you're not welcome here.

Cop Karon and artist Freya ("Fleia") are soon separated by her suicide, from feeling as trapped in a gilded cage as their pet birds, and as we see later in the film, the city's bioroid administration does not respond with kindness and care, but with clinical research on the survivor.

Cute but deadly Deunan (possibly modeled on Markie Post) and cyborg smoothy Briareus (Richard Roundtree in a cyborg bunny face?) are in ESWAT, cleaning up the messes normal cops can't, and a cyborg terrorist getting away and killing a few of their buddies gets them motivated to investigate, though on-screen that largely consists of them wearing trenchcoats, busting down doors, and body-bagging potential informants.

Hitomi, a bioroid who rescued the main characters and many more Humans from the wasteland and acts as their social worker, gets back into the city, in what might be my favorite view of any city: She wakes on a helicopter reflected in solar panels, rushes to the other side to see the city in light. It's only a momentary shot, but makes me think the city might not be so bad. Hitomi's the heart of the manga, and the anime tries its best, with limited screen time. The party at the Onimal bar (a relic from the Black Magic manga) is the only time her faux-Human relations really come up: She loves all her rescued strays, and her would-be boyfriend/pathetic stalker isn't really enough for that love.

The bioroids as machines isn't touched on much in the anime; those other than Hitomi are shown only as drones or would-be tyrants like Athena, and they're DNA-edited and grown in tanks, but just how much of a replaceable part most of them are isn't brought up until Athena tries to decide who lives and who dies.

The Human Liberation Front terrorists do eventually discuss their motives and objectives, to get hold of a giant spider-tank which is the prototype for a fleet of spider-tanks to be directly operated by Gaia; then Humanity will be totally cut off from power. But to get it, they have to lock out Gaia, and there's a key for that. A failsafe which, very deliberately, only Human sympathizers can use.

The action scenes in this aren't Gundam quality, and they're not bloody like many later versions, but they're fine for telling the story. The couple of times the terrorists fight up close brings home just how deadly Landmates (mecha) are in close combat and as mobile infantry/artillery. I'm not sure the "BAN LANDMATES" graffiti is ever visible in the anime, but it's constant in the manga, and kind of an in-joke for old anime fans. While the anime has cyborgs with various levels of replacement, there's no robots, which are a major element of the manga, as a thing even lower than bioroids but also threatening to replace Humanity.

Where this falls down is the final sequence inside Gaia; they have maybe 10 minutes to squeeze in half a volume of arguments and action. In the manga, this is a place where Deunan has to make a moral decision which will change the course of Human history: Free will and endless wars, or inhuman tyranny, or is there a third path? Here, it's just resetting a machine, and what the machines think of that isn't discussed.

★★★★☆, it'd be 5 if they'd ever adapted the rest of the manga, but nobody seems interested in making movies with political philosophy against AI control, I wonder why.

What I'm Watching: Anime Edition

Crunchyroll hasn't had a lot of good stuff in a while, but saved itself from unsubbing lately.

That Time I Got Reincarnated as a Slime is yet another "lost in a videogame-like fantasy world", but this time a total sad-sack loser is brought over with a bunch of dying wishes which turn him into an all-consuming semi-invulnerable slime. Anything he "eats" he can analyze and make part of his skill set or mimic. And he sets out to help monsters he meets. It's a very familiar world to anyone who plays generic JRPGs, hapless Goblins, evil Direwolves, stout worker Dwarfs, sexy porno Elves ("E.I.L.F." as he puts it), and rules like "naming things gives them power" are taken VERY literally.

There's nothing really innovative in this, except the joke is taken all the way, sort of like Pratchett's Discworld. And it has great pacing; Akashic Records of Bastard Magic Instructor and In Another World with my Cellphone were smarter shows, but slower.

★★★★☆


Rascal Does Not Dream of Bunny Girl Senpai is a romantic comedy, not, you may think, my usual thing. A guy sees a cute girl wearing a bunny-girl outfit in school, and recognizes her, a year older student with a sort of notorious past. Nobody else sees her or remembers her. So there's some widespread insanity, or very local insanity, and tragedy either way.

I like the hurt and shame in this show. I dunno how else to put that, it's emotionally raw, sarcastic, and everyone hurts. Reminds me a lot of Anohana: The Flower We Saw That Day, but much more mature and less hopeless.

★★★★½