In the grand tradition of underwater horror movies:
- Sealab 2020 (1972, Hanna-Barbera), Sealab 2021 (2000-2005, Adult Swim): “Oh, those aren’t horror, Mark.” Aren’t they? MARDUK SAYS THEY ARE.
- Abyss (1989): Pretty good for a self-indulgent James Cameron flick. Fun up to “live damn you live!”, but the ending is stupid, aliens make contact underwater and just want us to stop having wars. Will do, Mom.
- Deep Star Six (1989): Miguel Ferrer, Greg Evigan (minus the chimp), and a lobster.
- Leviathan (1989): Peter Weller, Amanda Pays, Ernie Hudson, and Meg Foster! But the monsters a lame Thing ripoff.
- Lords of the Deep (1989): Priscilla Barnes trying to act with her clothes on, do not watch, unbelievably awful.
- Underwater (2020)
And many more in between, but that batch of 4 “Cameron’s working on an underwater movie? Let’s beat him to the theatres!” flicks already did pretty much every scene you can get here, and Sealab 2020 (the serious one) defined the look and many basic plots.
- Deep sea stations are so dangerous that nobody would actually work in one. And in reality, nobody does.
- That poor little spider. It gets more characterization than most of the other crew; we don’t even see the crew, except a couple runners and a couple corpses. I don’t know if there’s 10, 20, 100, 1000 people supposed to be down there.
- Running from pressure breaches and slamming pressure doors shut on people. Why can’t they make the entire station out of pressure doors and the walls around them, which never blow?
- Don’t get emotionally attached to any black character (Mamoudou Athie) in a horror movie, no matter how much he seems to know the tropes. In contrast, fucking TJ Miller (the asshole from Silicon Valley), one of the shittiest wastes of human skin ever to darken a movie screen, gets to live more than half the flick and annoy me every minute of it.
- Stoic captain (Vincent Cassel) can solve every problem except his own heart (in this case an obvious crush he ignores and his backstory daughter we never see…)
- Heroic engineer (Kristen Stewart) can solve every mechanical, electrical, programming, tactical, and nuclear engineering problem. Well, that’s the one good point of these flicks. She’s basically just Ripley, but you know, I love Ripley.
- Power armor deep sea suits with giant glass dome helmets and lights everywhere, so you can see the actors’ faces, even tho a major plot point is that glass and lighted targets are a bad idea.
- Chicks get sexy when they strip down to get in their power armor. Dudes look like hairy potatoes in bad underwear.
- Let’s go for a long walk underwater, even though we would realistically have subs, jetskis, or just oxygen tanks with straps and a valve as a “jet pack”.
- Don’t worry about those oxygen alarms, those go off 10, 15 minutes before the plot will actually require you to get more air. Normally oxygen tanks are giant tanks, but this one has teeny little oxygen scrubber cylinders, which takes a lot of the resource management out of it.
- Monsters always look humanoid, even though they originate in deep underwater vents, cephalopods have no need for bones, arms, hands, legs, or recognizable humanoid heads. Minor points to this one for having the baby stage be an ugly tentacle monster, and grampa Dagon is giant, weird, and hideous. But the middle stage is bullshit. I approve only of Deep Star Six, where the monster is a crab.
- All you have to do is reach the escape pods and you’ll be safe, because deep-sea creatures can’t survive on the surface.
- Tell, don’t show. Half the plot setup and resolution is given as either voiceover by Kristen, GLADOS-like voiceover by a glitching-out computer, or spinning newspaper headlines in the start/end credits. Cheap and bad writing.
- Undersea romance. There is one, but it has zero chemistry, is only mentioned in backstory. Most of these have everyone fucking everyone else, because that’s what Humans normally do, it gets the audience excited, and it gives you some reason to care if they live or die.
★★☆☆☆ — I didn’t hate it, it just does absolutely nothing new, 31 years after the movies it’s ripping off. Ranks poorly, above only Lords of the Deep, but not poison to watch like that was.