What I'm Watching: Sinners

As a delta blues story, this is fantastic. The origin of the blues in sharecroppers, and the juke joints wherever black people could get together. And the long long decades later, shown in flash-forwards and visions, to when blues men are loved.

I might've liked to have more filmed backstory on the twins, some of them in action before they came back South; "show don't tell" but this does just seconds of show and long stretches of tell.

Every shot past dusk or inside is too dark; this is a bad idea generally, but even worse with black actors. Throw a diffuse light on everyone, and you might be able to see them. It's not 100% cyan/orange, but this is almost as bad. And the audio's mixed the usual "modern" way, whispering quiet and THEN BOOM ACTION, audience is now deaf. Wish I could hear more of the dialogue.

The vampires show up early, clearly visible but don't make a first move. The juke joint story gets to unfold as long as it needs. And the epilogue is excellent.

Action scenes are fine.

So it's the middle bit.

SPOILERS




























The Irish borderer jig-dancing vampires are hilarious. The infection and telepathy is neat.

But the Vs are so goddamned stupid, and later the Humans are, too.

You got all the prey in a big wooden box. Don't need to ask to come in (is a juke joint a "house" anyway?), set a fire and pick them off as they run out. Or use the KKK to chase them out, take both.

Why do Vs in these mass turnings never have a WATCH? Assign one V to track sunrise, and have planned places to go hide. Sunrise happens every single day, it's not a surprise.

The killing box plan is bad. If you want to funnel your enemies, it needs to narrow; instead the big door goes into the dance floor, wide open. That's great cinematically to show a bunch of fights, but it's incredibly dumb when the V's are greater in number and strength than the Humans. The smart plan is to narrow them into a room or corridor, and pick them off.

Or just wait for dawn, and try to find their hiding places!

I hate plots that rely on everyone being dumb.

I really want to love this, it's mostly better than From Dusk Till Dawn (no movie will ever beat Cheech Martin's "pussy pussy pussy" rant). I love the ending. It does better character development in the middle. BUT. The Aztec vampires were massively more competently written.

★★★½☆

Blues Brothers Saturday Music

Apple Music

Sort of agreed. Certainly I use it every day and link all my music to it, since that's the easiest way to get a high-quality stream of most every song ever recorded (80% coverage? Based on my somewhat eclectic tastes).

The 3 mixes are doing better, but my daily playlists are now almost exclusively Rock Hits: 1970-1990, Tears Go By, rarely one more curated list, Metal Meets Industrial is today's.

The album choices are far better, a good mix of blues, metal, old rock, and industrial. Since I listen to Howlin' Wolf, today it suggested Bad News is Coming, by Luther Allison, which is pretty goddamned good, I didn't know the man before.

And since they buried Connect instead of putting it on the front page, far fewer bands bother to post to it. Some Shonen Knife merch and 1-2 posts a week from Apple Music {genre}. This is a travesty, they had a real shot at connecting bands to the audience (like Ping, without the distraction of other people with dubious musical taste) and have so far squandered it.

Luther Allison-Bad News is Coming
Luther Allison-Bad News is Coming-back