Hell yeah. I grew up with some of my favorite comics being ROM Spaceknight, Nova, Rocket Raccoon, Adam Warlock (in Marvel Presents, I think?), and so on… the Marvel space series were so much better than their ground superheroes. While the films are a little trashy, they're fun trash, and the music was just awesome.
But then some Nazis doxxed Gunn and Disney was like "I'm shocked, shocked I say, to discover that the writer of Tromeo & Juliet makes dirty jokes!", but happily have seen sense since everyone involved wanted him back.
So here's the music again:
Trying to watch Umbrella Academy, and it is so slow. The assassins are more fun than the "family", and they're in maybe 5 minutes per ep.
Two of the siblings are absolute monsters who should be drowned; exiling the tiny-headed gorilla to the Moon to fill sandbags until he dies was a good plan, but letting the two-faced mindbender, low-rent Kilgrave ripoff that she is, walk around loose and unmuzzled is just stupid. Doesn't help that I find both their actors/walking meatsticks stiff and incompetent, very obviously hitting marks and reading lines on a stage. Fire whoever hired these assholes.
Of the actual actors, Diego's an acceptable Daredevil/Batman/Punisher ripoff, but nothing new at all. The junkie necromancer would be fun, but played so broad and silly he's completely out of place in grimdark brooding land. "I waxed my ass with pudding!" is not a thing junkies say, dumbass writer. Normal girl who actually plays violin and writes is the only person in the family and she's beat down and useless; and Ellen Page has aged into a mousy little thing. Number Five is good, fucked up but interesting; that's the only positive reason to keep watching.
This bullshit of a CGI/robot ape butler and "mom" in an otherwise modern-tech universe is infuriating. If "dad" had AI and robotics that look exactly like real people or CGI animals, then he was already a superhero, didn't need six superhero kids. The entire world would be very different. It's like the Stepford Wives: You can solve world labor problems, bring about total prosperity and leisure for everyone… you use it to make one robot slave woman and keep going to bullshit job. Unsurprising, then, that the time traveller's "woman" isn't real, either.
And there's 37 other superheroes out there supposedly, zero mention of them by ep 3.
I'd like to see more of the time travel plot, and the assassins, but I don't think I can sit thru these fuckers whining at each other for hours.
Coming sometime this year. I'm more than cautiously optimistic, given this. The Frenchman, the Female, and Mother's Milk look great; I'm not keen on their Wee Hughie or Billy Butcher but you can tell who they are, they're not obviously embarrassing like the Powers adaptation. Hopefully all of them can act the part. The few action scenes in the trailer look great, the slutty, trashy lifestyles of the rich and superpowered look right.
They've replaced Jack from Jupiter with an invisible man; and/or a tracksuit that stands up by itself. Which really isn't much of a downgrade from Jack, the whiniest and least useful of The Seven. Hm. Though Jack can fly, which is important at a couple points.
The Boys is the cure for taking superheroes as magical demigods. Garth Ennis asks, "What if people had superpowers? What if a corporation could make more of them? What would they be like?" And you know what the answer is. They're people, they would be terrible.
So, the CIA funds a group of counter-superheroes. They get a little power, but not much. They use dirty tricks and crime and scams to keep the supers from getting out of control, and killing more people. And even then, what kind of people do you recruit for such a job? Not our best and brightest, but damaged people who have a reason to fight these fuckers in spandex.
I really shouldn't watch superheroes. Well, Amazon supposedly has Garth Ennis' The Boys in production, and The Boys cured me of reading superhero comics forever, it's the best but last superhero story you'll ever need to read. And I'm expecting Deadpool 2 to be the best sequel to the best romantic comedy superhero movie ever. I don't really count the Marvel space fantasy comics or movies as "superheroes".
But otherwise, it's a disappointing genre. No, I haven't seen Black Panther, not a fan of tyrants worshipped as demigods holding bloodsports in their isolated resource-extraction-economy kingdoms. I wouldn't want a movie aggrandizing Dr Doom any more than I want a T'Challa movie. I loved the Joker in The Dark Knight because he's an anarchist and having so much fun at it, but the real villain is WayneCorp's stranglehold on the world economy, run by a crazy billionaire with military hardware beating up poor people "to stop crime" instead of, say, funding schools and jobs programs, and paying and screening cops to end police corruption. Gotham can only be a shithole if the Batman wants it that way.
Man, I miss the two Richard Donner/Chris Reeve Superman movies, and the two Tim Burton/Michael Keaton Batman movies.
- The Tick: The Amazon series is weird. S1 was confused, almost grimdark '90s foil-cover "Superman Is Beaten to Death Like Jesus and We Mourn for 24 Issues" shit, nothing like the surreal parody comics or the insane Warner Brothers-level zany animated series, or even the half-assed but occasionally funny Warburton live series. S2 is less confused, but still not good. Most of the show balances right on the edge of too serious to enjoy, with moments of ludicrousness.
The Tick and Arthur have a good dynamic, but the Tick comes off strange, not wacky. I like his journey of discovery of self, but it's in the wrong show. Arthur's inadequacy and neuroses are semi-crippling until the plot demands him to act, and then he just does HEROISM while whining a bit. Any chance for humor is stepped over.
Overkill's a parody of Frank Castle, sure, but he's not any funnier than the real one; in fact, I think Frank in all grimdark Netflix Daredevil and Punisher is funnier. Miss Lint is consistently smirk-worthy but not fully sexy, terrifying, or funny at any time. At one point some marketing people pitch an ad deck to archvillain The Terror, and commit violence at minimal provocation, which gets a "menacing chuckle" from Terror. Which is how I respond to this. Dangerboat's behavior with Arthur plays out creepy and rapey rather than funny HAL-9000 with a cyber-boner parody which maybe they intended. Superion's a smarmy bastard, but then lets his guard down to show… basic decency? He's just not funny. The mad scientist has a funny physical condition, which gives sight gags but no jokes, probably just as well since they'd be offensive.
Played completely straight, which this almost is, this could be just another shitty Marvel or DC series. Played for humor, this could be a great adaptation of the comics, they have the budget, CGI, and actors. But Amazon just dumped it down the middle.
- Jessica Jones: Started to watch S2E1, but it's even more grimdark and seething anger, without any attempt at humor or irony. I got up to a douchebro asshole picking a fight with Alias and she gets arrested, bailed, and charged in the same day (man, the justice system in Marvel is fast, in my reality it'd take weeks to get on a court docket after an arrest). Nothing fun here, can't take this bullshit right now.