Tag: books

Super-Science Fiction v2n4 (June 1958)

In which I read old SF mags with interesting covers and writers I recognize:


via Vintage Geek Culture

  • Cover, by Kelly Freas: No story is related to the redhead full of gears and circuits, which is a damn shame. ★★★★☆
  • Hostile Life Form, by Daniel L. Galouye (aka Daniel F. Galouye): Vicious native animals kill a colony, so why not adopt the cute animals that attack the hostile ones? Oh, because nothing's that easy. Saw the ending coming a mile away but it's a good one. ★★★★☆
  • Little America on the Moon, by Arthur J. Burks: Awful. Implausibly bad Lunar colony, tedious and sexist 1950s psychology, Manifest Destiny in space, avoid. ★☆☆☆☆
  • Slaves of the Tree, by Eric Rodman (aka Robert Silverberg): 1950s genetics aside (with a handwavy explanation), an excellent story until two train-wreck writing failures. The under-explained but creepy Terran "Colonial Force" and their Darwinian expansion plan is wonderful for backstory. I had a consistent explanation for the protagonist Rayner's behavior, but also suspected there was no way a story written in the 1950s would even hint at a gay man as a character. Well, spoiler time. First, mouseover for spoiler. So what were readers of the '50s supposed to think about him? Second, psychic forces, ugh. John Campbell was a lunatic and a troll. There's pheromonal or other mechanisms that could be used, not this nonsense word denoting nothing real. I'm so close to loving this story, but a sane editor needed to beat the stupid out of it. ★★★☆☆
  • Look to the Stars, by Scott Nevets: A space news article about a "Cat Eye" light amplifier for telescopes; I can't find anything useful about it. And a supposed catalyst for an endlessly-flying upper-atmosphere rocket; I find the chemistry dubious and it certainly didn't become a thing. But keep in mind Sputnik had only launched the year before this, so this was some cutting-edge speculation here. (nil)
  • Special Aptitude, by R. H. Hardwick: This is what passed for 1950s pornography. They were sad little critters without PornHub. ★☆☆☆☆
  • Science Shorts, by Edgar P. Straus: What seems to be the announcement of the Nançay radio-telescope (NRT), which took some years after this article to actually be productive. 3D TV announced! Yeah, the eternal bullshit product nobody wants. (nil)
  • Frontier Planet, by Calvin M. Knox (also aka Robert Silverberg): Killin' natives is so good, it makes you want to stay and do farm chores and then kill more of 'em. Garbage story, which is a shock from Silverberg. Was he drunk? Did he lose a bet? Did John Campbell hold a gun to his head like Heinlein's "Sixth Column"? Avoid. ★☆☆☆☆
  • No Planet is Safe, by Harlan Ellison: "Each trip got worse. It seemed Mother Nature hated Man, and had set each alien world as a trap for him. No matter how peaceful the worlds had seemed, they had each held many hidden dangers, into which the Earthmen had stumbled." I don't buy the ending, it's a shaggy planet story if there ever was one, but Harlan never fails to amuse. ★★★★☆
  • One to a Customer, by Theodore R. Cogswell: Terrible people making stupid choices. Sadly not at enough length to be worth it. ★★☆☆☆
  • The Spacistor: More quaint science news. A now-obsolete improvement to the first transistors, explained breathlessly. (nil)

Science Fiction & Saturday Music

  • Humble Bundle Adventures in Science Fiction Books: Runs until Oct18, and everything in this that I've read (Anderson, Bear, Brunner, Ellison, Foster, Silverberg, Steele, Sterling, Swanwick) is excellent, and I'm enjoying Sergei Lukyanenko's1 The Genome enormously. They've picked what looks like an all-good-stuff collection.

Saturday Music is a little spacey.

  1. I adore the Night Watch books; but because of what they say, or because they're bound up in memories of rainy nights in Seattle reading at all-night cafés and public transit, very like the Moskva of the books? The first movie is great, but only about half the first book; the sequel movies are dire, some of the worst hatchet-jobs of adaptations I've ever seen. ↩

What I'm Reading: All Systems Red, by Martha Wells

Murderbot with no Asimov program just wants to watch TV, but is rudely interrupted by threats to its human clients and awkward social skills.

There's not a lot more to say about this novella, very fast and fun, rather Heinleinian. Murderbot is adorable, a cyborg made from clonemeat with autism-spectrum social problems. The mystery/puzzle of the plot is deducible from evidence given, though the political rules aren't, but they're just there to drive Murderbot's character study.

The science, where present, is inoffensive; some kind of expensive wormhole for FTL, otherwise plausible electronics, software, and cybernetics. Not much of the background is given, and I'd like more in this setting, perhaps a picaresque with a unit like Murderbot going star to star solving problems like the Incredible Hulk TV show.

"So, I’m awkward with actual humans. It’s not paranoia about my hacked governor module, and it’s not them; it’s me. I know I’m a horrifying murderbot, and they know it, and it makes both of us nervous, which makes me even more nervous."

—Martha Wells, "All Systems Red"

★★★★★

Wednesday Music Loves '80s Glam

And while you're listening, why not reread Less Than Zero (don't watch the shitty movie, they just took the title and some character names) and American Psycho (do watch the partially-shitty movie, if only for the Huey Lewis scene, which is how I will always remember Jared Leto).

Here in the post-apocalyptic shithole of the 2010s, nothing's lit in neon, I can't get music videos on MTV or cheap, pure cocaine from trustworthy Colombianos, and I blame the Republicans.

What I'm Reading: Dichronauts, by Greg Egan

Dichronauts is another of Greg Egan's "what if {MATH}" stories, like Schild's Ladder, Incandescance, and the Orthogonal trilogy. Often I describe him as the only Hard SF writer.

The world posited by having 2 space dimensions and 2 time-like leads to casual relativistic effects when you turn in a time-like direction, so it's sort of like Edwin Abbott's Flatland or AK Dewdney's Planiverse, in this case beings waddling on a mostly-east/west line, up/down being the other usable space direction, with symbiotes who can "see" sideways into the lightless cone north/south with sonar. So, uh, read Egan's paper explaining this and play with the simulation first.

While buildings are mentioned and the moving of one shown, I think not enough pages are given to the presumably vertical, thin architecture or how engineering or life would work.

Seth (Walker, wannabe hero) & Theo (his much smarter Sider symbiote) and others go off on a survey mission which finds some difficult terrain, a terrible cult-like town, and then a strange part of geography that could doom everyone.

The first two adventures are quite comprehensible (if you read the paper), and the physics don't interfere much with the story. Then the third goes into a different space/time region. And here he mostly loses me. The geography of the new region is hard to understand, and Theo doesn't spend the necessary "As you would know if you had paid attention, Seth" time to make it clear to me; I get the math on a flat plane but how it works in this region could use a diagram or two.

The drama in the first two parts of the survey would have made a better complete novella, I was engaged with the characters and cult plot. The last part winnows down the cast to one/two somewhat sad companions, and a communications barrier, which makes it even harder to care. The ending is abrupt and inconclusive. For a sequel, or just "done with this exercise, hit publish"?

"Do you really expect my counterfactual longings to be consistent with my merely hypothetical speculations?" —Theo

★★★☆☆

Data and Reality (William Kent)

A book that's eternally useful to me in modelling data is William Kent's Data and Reality. Written in what we might call the dark ages of computing, it's not about specific technologies, but about unchanging but ever-changing reality, and strategies to represent it. Any time I get confused about how to model something or how to untangle someone else's representation, I reread a relevant section.

The third ambiguity has to do with thing and symbol, and my new terms
didn’t help in this respect either. When I explore some definitions of
the target part of an attribute, I get the impression (which I can’t
verify from the definitions given!) that the authors are referring to
the representations, e.g., the actual four letter sequence “b-l-u-e”,
or to the specific character sequence “6 feet”. (Terms like “value”,
or “data item”, occur in these definitions, without adequate further
definition.) If I were to take that literally, then expressing my
height as “72 inches” would be to express a different attribute from
“six feet”, since the “value” (?) or “data item” (?) is different. And
a German describing my car as “blau”, or a Frenchman calling it
“bleu”, would be expressing a different attribute from “my car is
blue”. Maybe the authors don’t really mean that; maybe they really are
willing to think of my height as the space between two points, to
which many symbols might correspond as representations. But I can’t be
sure what they intend.
—Bill Kent

I originally read the 1978 edition in a library, eventually got the 1998 ebook, and as of 2012 there's a posthumous 3rd edition which I haven't seen; I would worry that "updated examples" would change the prose for the worse, and without Bill having the chance to stop an editor.

See also Bill Kent's website for some of his photography and other papers.

This book projects a philosophy that life and reality are at bottom
amorphous, disordered, contradictory, inconsistent, non- rational, and
non-objective. Science and much of western philosophy have in the past
presented us with the illusion that things are otherwise. Rational views
of the universe are idealized models that only approximate reality. The
approximations are useful. The models are successful often enough in
predicting the behavior of things that they provide a useful foundation
for science and technology. But they are ultimately only approximations
of reality, and non-unique at that.

This bothers many of us. We don’t want to confront the unreality of
reality. It frightens, like the shifting ground in an earthquake. We are
abruptly left without reference points, without foundations, with
nothing to stand on but our imaginations, our ethereal self-awareness.

So we shrug it off, shake it away as nonsense, philosophy, fantasy. What
good is it? Maybe if we shut our eyes the notion will go away.
—Bill Kent

★★★★★