Tag: movie

Evangelion Session 4: E11-12

Almost normal mecha show episodes: NERV HQ is shut down by unknown attackers by unknown means so everyone has to infiltrate the base and do a launch manually. Security really isn't very good when the power's down, three children are able to break into NERV. And then the orbital bombardment… Accurately understands the kinetic power of dropping things from orbit. The "miracle" of holding your hands up and wishing (OK, with an AT Field) is a little cutesy.

Maybe the NSA shut NERV down with STUXNET. You know in this setting the US espionage services would be incredibly perturbed at Japan having such an essential resource, we've seen "UN" ships with very obviously US-supplied Naval officers being pissy about it.

Misato's backstory and damage, similar to Shinji's and Asuka's, leaves her easy prey for Gendo's schemes. All the awkward people are excluded at the party, while the noisy ones make a mess. The phone call with Shinji and Gendo is just terrible, "Don't put him through ". Then later, all Shinji notices is that this is the first time his father's ever praised him. He can't even notice Asuka's abuse. There's long stretches of Asuka screaming at people I just tune out (and I know perfectly well why I react that way from my own psychological damage).

The Angel designs in this one are very goofy, the Johnny Quest-looking spider with dripping eye-chor, and the orbital happy-face thing. As we'll see later, there's not a universal leader behind the Angels, Adamic life doesn't seem to be able to coordinate or communicate with each other (and only occasionally with the Humans), they're just trying to reach Adam or Lilith, so each one comes up with its own plan and carries it out.

While sailing to the Antarctic recovering the Spear of Longinus, Gendo & flunky muse that Humans survive because of Science. I think it's more that a swarm of Humans collaborate, which beats the vastly superior solitaire Angels.

Evangelion Session 3: E08-10

Asuka strikes! The terror of the show. The worst Human who could possibly be one of the Children. Great T&A fanservice as long as you don't mind her terrible shrieking voice or brutal abuse of everyone around. So, the kind any project attracts. "Why is she so bossy?" "Why are guys always so stupid and horny?!" Gee, Asuka, I dunno, maybe it's because you strip-tease in front of them and then get mad when they look? It's impressive how Rei just shuts her down, though: "I'll be your friend if I'm ordered to."

Once there's more than one of the Children, the expression "First Children", "Second", "Third" seems weird; it's literal English in the Japanese script, but should have been "Child" or "of the Children" and then you'd ask "whose children? Why Gendo's?!" And speaking of, Gendo spends no time in the base; Rei would be lonely if she knew what that was. Shinji's used to his absence.

Dance Dance Evangelion ep is ridiculous, reminds me very much of the comedy filler episodes of Slayers. Synchronized tooth-brushing and dancing just so they can hit a target at once. But it does start to humanize Asuka, which Rei still hasn't had.

Magma bath has Asuka behaving slightly less awful. She's still a bossy prima donna, and her crush on Kaji is ridiculous but nobody's yet called her on it, but she actually steps up and does her job for once with a minimum of screaming hissy-fit. It won't last.

But here and the first Asuka ep we finally get to see the lifecycle of the Angels, or more accurately Adamic life, starting as Human-like fetuses but almost instantly developing according to genetic programming. Interesting parallel to the Perfect Being in The Fifth Element; designed to look like a person, but she's far far more than that, and can be regrown from just a few cells.

Back in the day, this is where the first sequence of bootleg tapes ran out, and there was a long interregnum, I think most of a year, before we got more. So there was an over-analysis of these, which isn't really helpful because so much more backstory was written later.

(I got the toy in a LootCrate. Obviously, I would much rather have had Misato or Rei; this one keeps yelling at me.)

Evangelion Session 2: E05-07

Stopped just short of Asuka. That's too much to leave as a cliffhanger for one day.

Rei's early appearances are even more stiff and awkward with everyone except Gendo than I'd recalled. She is an utter robot, not even autistic or depressed and withdrawn, but just not there. That weird smile is almost worse than nothing.

Misato in a towel, and Rei in a towel or nothing at all, the fanservice was a little heavy still, but less than the first few eps. Misato's morning ritual is how I lived my 20s, too, but sooner or later that catches up with you. Just coffee now.

The "Human weapon" ep… if you wondered how cold and calculating Ritsuko and Gendo are…

If you're missing the old ED music instead of Rei's theme, because the songwriter and 26 artists couldn't make a deal with Netflix:

  • Every "Fly Me to the Moon": I recommend watching it now, maybe youtube-dl if you want to keep it. (minor annoyance: It's in webm, so I now have 4 CPU cores on fire[^1] trying to convert it to mp4)

The reviews are in!

Netflix isn't providing subs for some of the text screens, but they're usually duplicated later in English (at second commercial break?). I can read enough kana to recognize things like the roommate chore board being all シ (Shi, for Shinji) and just a few ミ (Mi, for Misato), which is funny because she won't even do those days. This is really motivating me to get back to learning Japanese properly, because just reading nonsense words is frustrating. I accept that my calligraphy will always be shit.

1:

Evangelion Session 1: E01-04

In the distant future of 2015… after the Second Impact in 1999… SIGH. Those seemed like plausible "future" times when this came out, really.

Netflix defaulted to JP/subtitles for me, but I tried the EN dub for about 15 minutes. It's OK, maybe better/more literal than the old one? Nobody sounds goofy, Shinji's very mild, as he should be. But I went back to JP, at least for this first time thru. Might do a dub watch second run.

This is the Netflix English dub actors list:

Looking some of these up, they're interesting choices. Several also appear in the new Gundam dubs. The Shinji actor Casey Mongillo being a transwoman is very appropriate, given Shinji's gender ambivalence.

It's weird that Netflix changed the "Fly Me to the Moon" cover from the end credits, it's just incidental music now. Rights problems? I never felt it was really appropriate, but I only sit thru the end credits to see the "next episode" bit, which is A) Not very spoilery, and B) sometimes contains in-jokes. "More fanservice" is not so much a joke as self-awareness; there's a lot of T&A from Misato and even scientist Ritsuko in early eps.

I am just as much in love with Misato as I was when I first saw her. When she kicks her clock and wakes up looking like a storm hit. Whoo.

Get in the damn robot, Shinji. And follow Misato's orders, ya little creep. I'd forgotten about the blackout/flashback structure of E01-02. The dumbass schoolkids are great for illustrating how weird Shinji is, but they're an annoying distraction the rest of the time, and they mostly get dropped later.

The constant SDAT rewinding of tracks 25 & 26…

Only goes up to 22, so I dunno how he's listening to the last two eps (yes, I know Shinji doesn't have the OST to his own show on his SDAT. OR DOES HE?!)

Neon Genesis Evangelion

There's lots of theories about what order to watch. Just watch it straight through, maybe no more than 2-4 eps per day because this is some heavy shit for what's ostensibly a "mecha anime". Definitely watch eps 25 & 26 and then the movie, End of Evangelion. Evangelion Death(True)² is a recap/remake which is entirely optional, but fine afterwards; I barely recall Death & Rebirth.

If you're very confused, that's fine, that means its working. Keep watching.

What I'm Watching: I Am Mother

13,000 days since extinction event, a single robot Mother raises a young girl (Clara Rugaard) in an advanced complex, the first to repopulate the Earth. Everyone outside is presumed dead from plague. Until a stranger shows up.

Most of the plot is based on who is lying or just deluded, and it turns out everyone, all the time.

The sets are great, sterile industrial Terminator vibe to everything.

I was going to complain about the origin of the stranger, and then it's resolved. I was going to complain about various robot cliches, and then the film does the right thing instead.

Just a perfect actual science fiction film.

★★★★★

What I'm Watching: Kong Skull Island

I wanted more Godzilla, but the classic Toho collections are unclearly listed on 'Zon and elsewhere, I want only Japanese-language (English subtitle) theatrical versions and many are 4:3 English-dubbed TV versions. So… I'm putting this off until I can do some real research, and bought an iTunes two-pack of Godzilla (2014) and Kong: Skull Island (2017). Silly American films, but at least I know what they are.

Sort of: I didn't realize Kong Skull Island was a Vietnam-era period piece. That's kinda cool. Sam Jackson at 71 was really way, way too old to be a field officer (Lt Colonel); he's badass and insane, as usual, but it's like your grampa being badass and insane, not like a midlife officer going all Colonel Kurtz up in the jungle. The grunts are mostly personality-free, except for one played by Shea Whigham, and they serve only as expedition "hit points", getting picked off one by one so we can see how much danger the civilians are in. It is very, very, very Apocalypse Now-derived in style.

Hiddleston as the tracker J. Conrad (ha ha Heart of Darkness reference, but yeah…) is bland but effective, a Ken doll with all the hunting accessories and a lot of dialog which he recites competently, but slightly less than alive. Brie Larson as the photographer "Mason" Weaver has no motivation, and a weird boxy face, but at least she has an active role, and only once has to be saved by Kong and improbably held in his hand during a fight. John Goodman and Corey Hawkins do great as the lunatic scholars/scientists organizing the mission; sadly Jing Tian as the biologist does nothing and has almost no lines, despite this being exactly the kind of thing a biologist should be interested in and have a bunch of infodumping to do. The film fails the Bechdel Test because there's really only one female speaking role.

John C Reilly's comic relief role is… well, not the worst thing I've seen. They didn't spend too much time making jokes at his expense. He's awful fat and pale for a guy who's lived among skinny primitive people on an Indian Ocean jungle island for 30 years.

The chopper pilots are really foolish and don't understand the point of a long-range gun. A realistic (OK, physics of titans whatever man) fight between Kong and a bunch of Hueys with heavy machine guns and bombs does not go well for Kong; they should hover 100-500m away and just whittle him down to chipped beef, not go mano a mano with an ape who likes throwing rocks and trees.

The giant bugs and pseudo-pterodactyls all do physically implausible things, but they're scary monsters in a kaiju film. OK.

"We're not gonna talk about this? This is not normal! Stuff like that does not happen!"

The face/heel turns for Sam Jackson and Kong midway through were obviously telegraphed from the start (which is why I don't even bother to say "spoiler"). The soldier's love of war for its own sake, against Kong's self-defense and (usually) mercy for Humans who don't attack him.

So all of this makes a functional movie by itself. Then there's the bad kaiju, and here it kind of falls apart.

The "Skullcrawlers" are weird. They're based loosely on the two-legged skinks from the original King Kong, but the skull head is ridiculous, and they're very smart tactically (completely at odds with how lizards hunt) and then just line up to attack one at a time; they're all CGI, so why are they shot like there's just one suit?

The extreme plot convenience of a skullcrawler giving the tracker useful information during the fight, I would normally give a pass to one deus ex machina, but then the confrontation is almost completely ineffective.

I barely noticed the music, other than some '70s rock records which the grunts inexplicably took along on a 3-day combat mission; a soundtrack driving the tone of the film would've helped.

★★★½☆

The problem with King Kong movies (other than the Toho ones which just use him as a normal kaiju), they all struggle with complexity. The basic premise is:

  • Voyage to Skull Island
  • Horrible Natural Hazards
  • Primitive Tribe
  • King Kong is huge and terrifying
  • Explorers run away

That's enough for a good story, but then each filmmaker piles a bunch of stuff on top:

  • Kong fights dinosaurs
  • Trappers take Kong to the circus
  • Kong fights a bunch of aircraft
  • Kong picks up a girl (romance seems out of the question, it'd be like a Human and a 9" pixie… YOU PERVERT, put Tinker Bell down!)
  • Jessica Lange struts or sits in a boat nearly naked for long periods of time, and then professes love for the beast; as noted, problematic.
  • Jack Black tries to act in a dramatic role

And pretty much none of this works. They pad out a film to 2-3 hours and take away from the thing that matters: King Kong.

What I'm Watching: Godzilla, King of the Monsters

Lovely film. The monsters look and sound amazing, the music is great, the monster fight scenes are long, complex, and more visible than the previous American Godzilla (2014). This really is on par with the Toho movies, and respectful. It takes thousands of people and $200M to accomplish what Ishiro Honda did with $175K ($1.662M after inflation), a few dozen people, and a rubber suit. They have a nice credit memorial to Haruo Nakajima (1929-2017), the original Godzilla actor.

The mythology and backstory for the monsters is a nice touch, the kind of pseudo-scientific gobbledigook Toho does. The literal deus ex machina plot device is annoying, but functional, it drives the plot along.

Naturally, I sympathize entirely with the villains. Their motivation is the only sane response; the evil megacorp (led by the dumbass CEO from Silicon Valley) and military trying to destroy the kaiju are insane and species-suicidal. Ken Watanabe is great, and Zhang Ziyi and Bradley Whitford (who I think of as TV's Frank Jr, but he was on West Wing) are interesting and given good lines. Most of the other Humans I could do without, especially the annoying screaming child and the "hero" who shares my name.

The credits sequence bears rewatching, there's a lot of details there and I couldn't follow all of them; and there's a post-credits sequence, so stick around for that. The next sequel should be interesting.

This is PG-13, but there's nothing above PG in it, and really should have been in a few places; it's obvious scenes were cut or written around to avoid violence and, uh, suggestive monster behavior. So I'm dinging it a half-star for that and the screaming girl who should've been the first one eaten.

★★★★½

All the Streaming Video

In which I compare some of the thousands of streaming media services:

  • Netflix: $13/mo for adult content: Love, Death & Robots, Bordertown, dozens of other crime dramas, adult comedies, and a huge backlog of content. In anime they have a bunch of current series, the Godzilla anime, classic Robotech (goddamn I still hate Minmei), and this summer they're replaying Neon Genesis Evangelion. Best video player of any streaming service. One caveat is that because Apple won't guarantee secure HDMI out on Airplay devices anymore, Netflix took down their Airplay support; I watch on a PS3 or desktop in Chrome, so this doesn't affect me, but some people will have to change how they watch it.
  • Amazon: $120/year for adult content: Bosch, The Tick, The Man in the High Castle, The Americans, and a huge backlog of (mostly shitty) movies for free. Second-worst video player I've ever seen, I scream obscenities at Amazon every time I watch something distractedly and want to go back 1 minute. I can't quit, anyway, I rely on Prime too much.
  • Disney+ (November): $7/mo for kids shows, mostly Marvel, Star Wars, Disney/Pixar (Dixar), and 512 seasons of the fucking Simpsons, which hasn't been funny since it left Tracey Ullman's Show. Not much new content, almost nothing for adults to watch.
  • Apple+: Unknown date & pricing. G-rated, mostly mainstream garbage content from what we've seen. Steven Spielberg should just find a rest home in Florida, he won't live long enough for the flooding to be a problem. If Apple makes it free with Apple Music, I'll take a look and mock the shows, but I expect nothing of interest to an adult.
  • CBS All Access: $10/mo for STD, er, Star Trek Discovery, and a lot of mainstream garbage content.
  • Twitch: "Free" with a shitload of ads; not just games, there are several networks streaming content, like Carl Sagan's Cosmos, ShoutFactory playing MST3K, The Prisoner, classic (good) Dr Who, Thunderbirds Are Go, and more. I would happily pay Twitch to get rid of ads.
  • Crunchyroll: $8/mo for currently-streaming anime. Second-best video player and queue manager. Really no longer a high value compared to Netflix and Amazon's anime selections, but sometimes there's new stuff you can only reasonably get on Crunchy. Partnered with/part of VRV, which has a bunch of other nerd media services, but the VRV player is the worst thing I've ever seen, really unusable, and the VRV staff are jackasses.
  • Funimation: Just like Crunchyroll but less current (usually; sometimes they have first-run and I have to sub for a month), and mediocre video player.
  • Hulu: $12/mo for "no ads" which has quite a lot of ads before and after shows, but at least doesn't have them in the show. Moderately shitty video player. Very poor new content, lots of old TV shows; Rockford Files was great but it's not worth $12/mo.
  • HBO Now: $15/mo. Usually has 2 current new shows at any time, a moderate amount of older shows and (often good) movies. Only really valuable for brief binges, then disable it; you'd quickly run out of content if you kept it subscribed. Ought to be half the price.
  • Criterion: $11/mo or $100/year. I haven't tried this yet, but I really should, they have dozens of old samurai movies and thrillers, which alone would pay for it. Their new content is very very limited, since good movies mostly stopped being made in the 1990s. There's a "channel" there of Guillermo del Toro talking about classic movies and then you watch the movie! OK, this is next month's media activity for me.
  • Youtube: Did you know Youtube had original content and a paid service? Well, they do, but nobody uses it.

Given this, if you're over 18, you should have Netflix and Amazon, and bang Criterion and HBO Now on the side once in a while. If you like old nerd media and current game streaming, watch Twitch. If you have kids, Disney+ and Crunchyroll are great deals. There's very narrow interest areas for the others.

On top of which, I check out iTunes Movies every month for their deals; never pay full price. This month I got Lawnmower Man (director's cut!), The Crow, and Equilibrium for under $8 each, all of which I can rewatch endlessly in actual HD, better than any streaming service.

What I'm Watching: Hap & Leonard S3

It is 1989. Hot (black) lawyer Florida goes down to a backwoods Texas shithole to deal with rights to a legendary blues man's lost recordings, goes missing, Hap & Leonard cowboy up to find her, and run into the KKK. They have a satchel of guns, it'll work out.

Great new and old rogue's gallery of weird characters, from Sneed the creep cop from last season, useless Sheriff who's doing Little Bill from Unforgiven with a busted nut, Deputy Hitlerella, Brown the KKK cult leader, creepy mechanic, Bacon the step&fetchit who's more than that. Andrew Dice Clay does a good turn as a DJ, I know he's vilified by the Kids Today™ but I loved The Adventures of Ford Fairlane, and clearly the producers did, too.

Not a lot actually happens until E5, but there's good banter and threats and some Twin Peaks-like weirdness.

So that's where I got up to by last weekend. Now, to finish…

Finally the shit hits the fan. Fights and shootouts and a Mexican standoff… and then it ends abruptly and wrongly, without resolution. Are they planning to do more of this season? What the hell?!

I was like ★★★★★ up to this point, but now I'm angry.