What I'm Watching: Bosch

I watched S1 when it came out in 2014, was somewhat annoyed by the Hieronymus Bosch name gag (but the actor is named Titus Welliver, so… ludicrous historical names all around), all the jazz (not even music), and some of the inappropriate workplace relationship bothered me, but it was a competent murder show. Little scattered in plot, personal drama, and side-plots that go nowhere.

Picked back up S2 and now working thru S3, and I'm more interested. The jazz is sometimes overbearing, especially when smug asshole Bosch preaches about how great vinyl is, or how every restaurant he goes to is "best X in L.A.", he's a super punchable prick. He's like House or Sherlock Holmes without the genius or charm. As a villain, he'd be fantastic. As a protagonist, he's much less charming than Dexter Morgan or Walter White.

But J. Edgar the partner (Jamie Hector, aka Marlo Stanfield on The Wire) and other competently-acted characters (several also Wire alumni), and better plots and writing, make up for a lot.

S1's a cold case murder. S2 is more of an LA Confidential thing with a murdered porno producer and hot blonde wife named Veronica (not Lake) as a film noir femme fatale. S3 has a couple parallel veteran murder stories going on; I assume in the books these are Vietnam, there's something about how they're written that doesn't fit the desert war that never ends.

★★★½☆ solid but rarely amazing.

RT @vishae

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How to Read a Peter F. Hamilton Book

There's a new PFH book, Salvation, I'd like to get to reading. Before that, I have a tsundoku in iBooks. So now's the time to read the Dreaming Void trilogy; these are sequels of sorts to Pandora's Star (excellent book about a really horrible alien, read long ago), and Judas Unchained (remember less than nothing about it; did I even read it? Maybe I was drinking a lot).

But there comes the rub: You can't just read a PFH doorstop. No, you need to study it, and take notes like a college class, because the concept of focusing on one protagonist and telling a linear story isn't his thing. If it was hard to write, it should be hard to read, is his philosophy.

At 17% through The Dreaming Void, I have the following notes (in Apple Notes so I can edit them anywhere); probably SPOILER, but a good example of my process. For dead tree books I made longer notes on everyone, with page refs, but since you can search iBooks there's no need anymore.

Dreaming Void

Places, Reality

Centurion Station: Near the Void
Ellezelin: Living Dream planet, Makkathran2 city.
Arevalo: Central Commonwealth planet, Higher. Daroca city.
Far Away: Base of the Starflyer
Lytham: Central world far from Earth
Oronsay: External world 100LY from Central
Fandola:

Places, Void

Querencia: Void planet
Makkathran: Main city
Ashwell: Smaller city

Species

Human: Higher, Advancer, Natural
Prime, Starflyer: Mind-controlling aliens
Anomine: Trapped the Prime
Golant: Humanoid
Ticoth: Predators, herds of prey
Suline: Aquatic
Ethox: ?
Forleene: ?
Kandra: ?
Jadradesh: ?
Raiel: Ancient, discovered the Void
Ocisen: BEM. Opposed to Pilgrimage
Hancher: Protected by Humans, enemies of Ocisen

Groups

Commonwealth:
ANA: "Advanced Neural Activity", mind pool of dead Highers
Free Market:
External:

People, Reality

Ozzie & Nigel: wormhole inventors
Inigo: First Dreamer
LionWalker Eyre: director of Centurion Station
Aaron: Blank on Makkathran2
Ethan: Conservator of Living Dream
Lady, Bad News: ?
Chief Cleric Phelim: Ethan's secretary
Corrie-Lyn: Inigo's former lover
Marius: ANA representative
Troblum: Starflyer fanboy, Higher
Mykala: 
Eoin: 
Yehudi: 
Kazimir Burnelli: First Admiral
Delivery Man:
Justine Burnelli: ANA representative
Gore Burnelli: ANA, old boss
Nelson Sheldon: ANA, security, Gore's co-conspirator
Araminta: Waitress, Niks, Colwyn City

People, Void

Waterwalker: Entered the Void
Skylord: ?
Akeem: Eggshaper
Edeard: Eggshaper apprentice
Salrana: Priestess

Five Games (and then some)

The following challenge/meme on Fediverse is interesting:

"If you had to recommend someone play 5 games to really get a feel for you/your tastes, what five would you pick?"

Videogames:

  1. Ultima II (1982)
  2. Hitchhiker's Guide to the Galaxy (1984)
  3. Alternate Reality: The City (Atari 800 version, 1985)
  4. Doom (1993)
  5. Elder Scrolls Online (2014)

Runners Up:

  1. Star Raiders (1979)
  2. Telengard (1982)
  3. Pitfall! (1982)
  4. Omega (1987)
  5. Llamatron (1992)

Tabletop:

  1. Dungeons & Dragons Basic Set (ed. Eric Holmes, 1977)
  2. Ogre (1977)
  3. Gamma World (1978)
  4. Tunnels & Trolls (4th-5th Ed, 1977-1979)
  5. Rolemaster (1980)

Runners Up:

  1. Star Fleet Battles (1979)
  2. Champions (1981)
  3. Stormbringer (1st Ed, accept no substitutes, 1981)
  4. Call of Cthulhu (1981)
  5. Kult (1993)

What I'm Watching: Ultraviolet (2017)

No, not the vampire movie, nor the shitty DRM video system. The Polish crime drama. It is all but impossible to search for a title like this.

A Buffy-like chick: blonde, vapid, argumentative, shitty family life, etc., except she's supposedly 30 instead of 16, is working as an Uber driver in Lódz, Poland, sees a girl thrown off a bridge. The cops call it a suicide, she disagrees, and starts investigating. Finds a quasi-secret society of "Ultra-Violets" (the explanation of the name is so ludicrous you have to watch to hear it) who hang out in a Slack with a purple backslash icon and solve murders while supposedly doing their real jobs.

Social media-solves-crime is not a bad premise for a show, even if mostly social media-causes-crime in reality, and the chat and screens are usually captioned well enough to make sense despite being in Polish.

Lódz really isn't grim enough for my "Grim Scandinavian Drama" taste, just a little run-down, not cheerful enough for it to be ironic like Death in Paradise. It's like setting a crime drama in Boise or Salt Lake City; death's a bit of a relief, but not an omnipresent gloom.

The acting's a problem. Buffy, er, Ola wavers from nonentity to annoying. The useful cop is barely present. There is less chemistry between them than between noble gasses in sealed glass jars. Mom's a crying stereotype. Older dude Henryk is not bad, he might be an actual actor. The dirty cop is either stoic or stoned. The "Ultra-Violets" (snicker) are only on-screen for a line or two at a time, mostly from behind.

If they got some acting lessons, this could be watchable; as it is, it's on the "occasional watch if I'm bored" list.
★★★☆☆

What I'm Reading: Software/Wetware by Rudy Rucker

I must've read Software on release in 1982 or in the next year; heavy stuff for a 12- or 13-year-old little mutant Mark. I've reread it a number of times since, and got more out of it each time. This time, it's notable how short and fast it is for so much information.

I guess I should mention, since some people are neurotic about this, there's a lot of sex, drugs, nudity, more sex, really weird drugs, cannibalism, and bodily functions. Also a lot of violence, but the people who are most neurotic about harmless, consensual sex or drugs seem to think murdering people is fine, respectable behavior. This is why you Humans freak me out and repulse me.

Software (1982): Cobb Anderson goes from crusty old drunk to immediately going along with ("waving") the Boppers' (AI robots he created and then freed from Asimovian slavery) plan to immortalize some Humans by the messiest process possible. Sta-Hi Mooney's given very short shrift here, much of what I remember of him actually comes from the next book.

The Bopper architecture and programming are discussed in depth, and the Little Boppers' war on the Big Boppers (centralization instead of anarchy) is surprisingly, pointedly relevant to current reality for a 36-year-old book. Since the book is set in 2020, and Cobb made the Boppers for Lunar mining, uh, we're WAY fucking behind on space and robotics in our shitty timeline.

The religion Personetics is super obvious as a scam, and yet Humans really fall for Dianetics (in my OMNI rereads, Dianetics is advertising every issue with this faux-serious tone), or for that matter any religion, which are all just scams to take your money and control you. And then everything goes sideways, lack of backup systems and over-controlling middle management ruin everything. Fin.
★★★★★

Wetware (1988): I read this just going into college to fuck my brain up. Probably haven't read the whole thing since then, skimmed it in parts. The first half following Sta-Hi, er, "Stahn" Mooney and a number of boppers in a city stolen from the boppers on the Moon, is great. FANtastic, full of weird drugs, sex, murders, people with rats in their heads. The Boppers are desperate and vindictive here, war and evolution pushing them to the edge.

Second arc about Della and her new "son" on Earth is annoying, weird, and… As Cobb says, "Della's parents are jerks, I'll tell you that much. What kind of couple is named Jason and Amy?" Cousin Willy Taze screwing around (sometimes literally) with AIs is the only redeeming part of this entire shitty set of chapters. The Gimmie (easily the best name ever for the Federal government) reacts only with murder and fear, like usual. While I mostly agree with the principles of "Manchile's Thang!", the free love equality cult, I dislike every part of the delivery.

Third arc back on the Moon, and the end of the Boppers, seems a little formulaic crime drama for a while, until it gets into what price Stahn's willing to pay for revenge and to recover his wife in any form. The weapon used is interesting; as our chips get more complex, side attacks like that look more practical. The moldies and Happy Cloak's return are all friendly and heroic here, which is… not how it'll be in later books.
★★★★☆

The first book is under 180 pages, and it flew past in a couple days; it's dense but fast, a lightspeed bullet to shatter your brain. Second's just over 200, feels much longer, and took me a couple starts; most of the good parts in 5 days, but then after the second arc I paused a couple weeks. Freeware is 300. Realware is another 315. And I recall these aren't any less dense. May need some lighter fare first.