- The Forest: French gendarme captain arrives in a small town surrounded by wilderness just as a girl goes missing, presumably abducted in the Fay Woods. The cast includes a feral wolf-girl grown up into a sexy French teacher, woods people, nosy townspeople full of secrets, half-assed local flic, dead girl's moody and secretive friends. Very Twin Peaks-like, without being a direct ripoff as so many in the genre are. Beautifully shot, lovely music (tho not enough of it). ★★★★★
- Anthony Bourdain: Parts Unknown: I only saw a handful of his shows in his lifetime, but always liked his Kitchen Confidential writing. The Tangier, Morocco, ep is fantastic. I love William Burroughs' writing and spoken-word-poetry albums, and Tangier was Burroughs' muse. The other beats and Tangiers expatriates are interesting, but perhaps less so. Bourdain was always polite and treated well in Muslim countries, despite his atheism and Jewish ancestry, but as another infidel I'm leery of such places, so his travelogue is as close as I'm likely to get. Randomly wandering thru other eps as long as Netflix has them. ★★★★☆
Star Wars, in descending order of quality/interest:
- Empire Strikes Back
- Star Wars
- Return of the Jedi: Tatooine only
- West End Games' Star Wars RPG, 1st Edition only
- Star Wars Holiday Special: Boba Fett cartoon only
- The Saga Begins, by Weird Al Yankovic: What a pity they never made this movie
- Marvel Star Wars comics
- Alan Dean Foster's Splinter of the Mind's Eye
- Brian Daley's Han Solo novels
- L. Neil Smith's Lando Calrissian novels
- Timothy Zahn's Thrawn novels
- Dark Horse Star Wars comics
Below here there is only trash:
- The Droids cartoon
- The Force Awakens
- All Star Wars licensed media not otherwise mentioned
- The Ewoks cartoon & movies
- All the shitty new movies: Rogue One, The Last Jedi, Solo
- Prequels which I deny even exist
I can't tell you how important hundreds of viewings (some in theatre, rest on laserdisc) of Star Wars and Empire were to my young brain. And duels between little Luke and Vader action figures in cardboard and styrofoam sets I made. And weird and annoying rogues and freaks smuggling drugs and blowing things up for the Rebellion in SWRPG.
But I don't think it can ever be captured and repackaged again. The kids today are too whiny to be competent heroes or sympathetic villains, so it doesn't work. The original movies must look incredibly derivative because everyone's been ripping Star Wars off for 40 years.
It's OK to let old properties die out. Let it die with a whimper.
The same thing's happened with Dr Who. The original series (for me, Jon Pertwee, Tom Baker, Peter Davison) was low-budget, and you had to pay attention for a half-hour a day for a week (500% longer than modern attention spans), but it was actual science fiction with ideas; everything since the awful American TV movie and the reboot's been a dumb Hollywood action show with a magic wand and a lot of screaming and running around nice sets. They would have been better off making a new franchise, and sort of tried with Torchwood, but any pretense that NewWho has anything to do with an old man and granddaughter quietly investigating the past is nonsense.
- Low Winter Sun: Terrible train-wreck ending to an otherwise great show. Was it intentional that the show fuck up and choke to death on its own vomit just like Detroit, or ironic coincidence?
Marcella: Season 2! I somehow didn't write about S1: Mentally unstable woman detective comes back to work chasing a serial killer or copycat of her old case. She has another breakdown, commits as many crimes as she solves, and then tries to cover up her shit. That was good, if at times heavy on the melodrama. ★★★½☆
S2 follows her chasing a child murderer. Unfortunately this is Law & Order: SVU bullshit; reality is that child rape or murder by strangers is incredibly uncommon, so their approach of looking at randoms instead of family, teachers, or priests is unproductive.
Marcella's also being pretty high and mighty for as shitty a person as she is. In S1 she lasted whole eps before melting down. This is all badly written by idiots, everyone spends half their time screaming incoherently at everyone.
I bailed on this after S2E1. ☆☆☆☆☆
The Staircase: Documentary of Michael Peterson's alleged murder of his wife Kathleen. Between the writer suspect, and some of the very weird lawyers and experts, there's much more interesting speech and events than most of these true crime shows. Still pretty dry but not stupid.
Goliath (Amazon Prime): A man blows up on a boat. Two years later, the sister recruits a wannabe strip-mall lawyer who recruits a washed-up drunk lawyer (Billy Bob Thornton!!!) to sue. Slightly overwrought legal drama against the evil supervillain lawyer (William Hurt!), and then the crazy conspiracy levels start ramping up, babykillers keep their lawyers in the dark. Good conspiracy show with scruffy protagonists. They ought to play the Imperial March every time the Evil Lawyer Firm is onscreen. The one down side is Amazon Prime's unspeakably shitty video player, which makes me hate watching any serious show where I may need to rewind. Fuck Amazon. But ★★★★½ for the show.
Heart of Darkness with 5 female soldier/scientists, in Roadside Picnic crossed with Chaga, ending in Alien and 2001. I haven't read the books yet, I like some of Vandermeer's stories & anthologies, but the film really does feel like pastiche. Some of that is the director making a "subjective" adaptation.
The characters are wafer-thin, even Lena (Natalie Portman) and husband Kane who are closest to being people. I love Jennifer Jason Leigh from being Allegra Geller in eXistenZ, but as Dr Ventress there's nothing there.
Most of it is walking-in-woods scenes like any no-budget B movie. Possibly the weirdest part is it's supposed to be Florida… But they filmed it in England, and the plants and just the atmosphere are wrong. Which to some extent doesn't matter, since the area's "alien", but it's the wrong thing that's wrong.
The three "monsters" are… fine, really not that weird, the first one is like one of those terrible Jaws-ripoff flicks, the last one is literally just one of those creepy spandex bodysuits after some CGI bullshit. One monster scene is good (the chairs), the rest needed help from a horror director.
I'm disappointed, but none of it was terrible, just mediocre pastiche of better stories and movies. I expect people who aren't well-read think it's amazing.
- The Lava Field: Dour, sometimes angry Icelandic cops chase down a faked suicide, with drug-dealing bikers named "Skipper" (no Li'l Buddy), and gloomy mourning at a child's grave. Basically perfect, even if it's only 4 eps. ★★★★★
- El Ministerio Del Tiempo: A modern paramedic with a death wish, a smart 19th C girl, and a Renaissance swordsman become time cops in Spain. Very smart and funny, possibly the regionalism and low-budget classic Dr Who-isms will grate after a while but it's good as of a couple eps in. ★★★★½
- Low Winter Sun: Detroit cops murder one of their own and then try to cover it up. Detroit is bleak, bleaker than you probably even think. Some police procedural, some small cop shop dramedy, some lives of the would-be gangsters in this shithole. Slower than I'd like and doesn't wrap up anything per ep, but I'm still along for it as of s1e4. I have to have the subtitles on for some accents, even tho they supposedly speak English in Detroit. ★★★★½
- Intelligence (2005): Never heard of this when it was on, Canadian major crimes & espionage (much closer to post-9/11) try operating snitches and surveilling criminals. They kinda suck at it, but Canadian criminals aren't that terrifying, either. Matt Frewer (Max Fucking Headroom!) is a good treacherous bastard. LOOOONG-ass pilot movie. ★★★★☆
- The Break with Michelle Wolf: Fresh from defeating the humorless orange gibbon at the White House roast, sure, I'll give her a short stand-up shot. Rude question: Did she have a stroke? Thus explaining the weird smirk and her voice? Yow, very hard to look at or listen to. Hit with a few jokes. The Alexa and Strong Female Lead video clips were amusing but not hilarious. She may improve, she did infinitely better than my final guests… ★★★☆☆
- Steve Martin & Martin Short: I used to like Steve Martin on SNL and a while after, and then he fossilized. Marty Short is like a ventriloquist's puppet loose and off his meds. I dunno what I hoped for, but this was the opposite of it in every way. This is where humor goes to die. ☆☆☆☆☆
I don't bother to see Star Wars or anything else opening night in theatres anymore, just Deadpool, Guardians, and Tarantino if he ever releases again.
SPOILERS? Not really but I'm gonna talk about themes which you should've seen coming.
- Mr Pool saves the Marvel Universe by undoing all MCU movies from Avengers Colon Civil War and X-Men Colon Apocalypse on. Pity it's not canon, right?
- Domino is cute AND effective.
- X-Force 1.0 "because someone couldn't draw feet!" is hilarious.
- Fight scenes are creative and fun, just like the first.
- Broader but not as iconic musical selections as the first movie.
- Women in Refrigerators score: 3! If you know a Hollywood writer, kill their girlfriends/spouses/any female relation to motivate them to more creatively deal with female characters.
- Drink every time they say "faaaamily" and you'll be 99% alcohol by volume. I hate all this family shit and I blame the corpse of Paul Walker. I'd kill him again if it'd stop this "find your family" Gen-Whine shit. I also blame the rise of step-sibling/parent porn on Gen-Whine's family fetish (literally).
- Long stretches of unfunny dramatic shit, calling someone's name instead of making an argument (I refer to this as Heathcliff/Catherine syndrome).
- Obvious solution to kid's problem is obvious but no, then you'd be just like bad guy.
★★★½☆, it's not a great movie like the original, but sequels rarely are.
- Santa Clarita Diet: S1 was a fun but messy set of episodes with no structure, but I like Drew Barrymore, still a very talented and pneumatic girl, and Timothy Olyphant, who gets to do more comedy here which he's better suited to. S2 finally found a plot and upped the brutality and farce of keeping friends, neighbors, coworkers, cops, classmates, other zombies, etc from catching them. But now I'm out of eps until they make more! ★★★★½
- Frankenstein Chronicles: A London copper chasing a conspiracy of Mary Shelley making real monsters from dead children presumably to resurrect Percy, could be made fun. He visits William Blake, one of my favorite artists and poets, on his deathbed and gets a book of art! But instead he's always sad about his family who died of the syphilis he gave them, unbearably whiny and miserable. And it's the peak of English aristocrats driving the poor into literally shit-gathering ("pure", they called it) and workhouses and then using their corpses, and shot with endless sad-music flashbacks or fantasies of Heaven instead of moving the plot along. Loathesome show, loathesome people, with no gallows humor. I stopped after S1E4 and wish I hadn't started. ★☆☆☆☆
- Expanse: Watched S1-S2, I like it but the books are better. S3 is still $$$, so I wait on that. Bobby Draper is a very cute Samoan, not as ripped as the books but pretty badass. ★★★★☆
My to-watch list is all but empty, I need suggestions. I have Netflix, Amazon Prime, Crunchyroll, and I'm ill-inclined to pay for another service.
I dunno what's good on Crunchyroll currently. I have a queue that'll never end, but it's all trash I watch while barely paying attention. Since Akashic Record of Bastard Magical Instructor ★★★★½ ended, I've been bored.
Westworld alone isn't worth HBO to me. Maybe when the season's over I'll binge it in one month. Is there anything else good on Hey Beastmaster's On? Last season I ran thru their back library pretty fast. No, I don't watch "Game of War of the Roses for C History Students", except sometimes by fast-forwarding thru all scenes not containing Tyrion or Jon Snow.
I'm desperately lacking a light-hearted murder show. I got in the habit with Dexter, and growing up with Rockford, Columbo, and Murder She Wrote. Death in Paradise has been good for that, ridiculous and formulaic but pretty, and decent puzzle murders. Too much of the English detective, but the French/island cast were great. But I'm out of eps!
Most everything else like that is very English, and I can't stand them. I tried watching Fallet, which would be PERFECT if it didn't have the whinging English cop; Swedes are funnier on their own. There's an Aussie show The Strange Calls, but the protagonist is so whiny and sad I didn't finish S1E1, maybe it gets better?
- Auralnauts Star Wars
- Ep 1: Rewriting the Jedi as belligerent drunks looking for a party and disrupting chain restaurants makes far better sense than whatever late-stage-dementia Lucas was doing.
- Ep 2-3: (Didn't watch, never saw the Lucas versions. Maybe I should?) Later: Have watched, was unbearably awful even in parody and short form, and 1.5x speed. I can't imagine how bad the original is.
- Ep 3: Later: Even more awful for a while, then the music video, dance-fight, and end are pretty great.
- Ep 4: LASER MOON. Creepio's psychosis and Leia's dating profile are to blame for everything.
- Ep 5: The parade is adorable and the Bespin after-party is the bleak morning after we all deserve, but surprisingly this is the weakest ep.
- Ep 6: The Last Laser Master is Star Wars on Ice plus Laser Floyd, and finally makes sense of muppet planet.
Spoiler Warning for S1E7-S1E10.
I should say something nice: I do like the Chariots. They're not as cool as the 1960s Snow-Cat-based Chariot, but they're solid vehicles for rough terrain, I'd like a little more interior space and visibility, but if I was a kid with this show on, I would 100% want a Chariot toy and action figures.
Sadly, this ends my nice things, mostly because the writers were knocked unconscious and were unable to finish writing these eps.
You've stuck your Chariot in a tarpit. Do you A) Pull out the seats or any other long surface and hop to safety, B) Use the weather balloon rig to fly to safety, or C) Go down with the ship, prepare for ultimate sacrifice (heavy dramatic music), then come up with a wacky plan involving crawling thru tubes? If you are a moron and a writer on this show (but I repeat myself), you choose C.
Judy's Hippocratic oath and these groundhogs' inability to put a patch on a fuel tanker dooms everyone. I don't think Judy could act differently, and the politician is useless, but I would expect spaceship engineer Don West to think first.
Dr Smith's jig is up. And then she has to take more direct action, which isn't really her forte. Her plan to use Maureen doesn't make a lot of sense, when Will's the only one who knew how to fix the Robot. But happy accidents solve every problem, and now there's two magic space drives.
Finding out where the drive comes from explains some of the first ep plot holes, but FTL is still magical bullshit, and otherwise unnecessary to this show's premise.
There's plot around the politician, and Penny whining, and none of it matters in the least. Waste of screen time.
The Pitch Black monster ripoff and cave full of fuel shit are nonsense: The planet has aquatic hydrocarbon-eaters like the eels, so it'd have a land version. The blind apex predators which are stated to eat everything don't notice stage-whispering and Scooby-Doo-sneaking right next to them.
Maureen's behavior is reckless, suicidal, and you'd call CPS immediately, she shouldn't be in charge of jack shit especially after exploding her husband and Don. She tells her brat "you are a good person", when Will murdered his pet. I know I'm a little monomaniacal on that, but that is a massive sign of psychopathy, little Michael Myers there should be in a padded cell, not polluting the gene pool of a new world. They'll have venture capitalists in a few generations.
"Don't you have any regrets?" "I don't believe in looking back, that's how you crash into things."
— there's still a few good one-liners.
Dr Smith throws away her helmet and makes herself vulnerable when she should know better, paranoia is her thing. Why is there artificial gravity now, did they run out of budget for wires or CGI? I can't be sure, because either they need to clean real lenses, or they CGI'd in a bunch of fake lens flares in every goddamned scene. Then there's a crappy CGI robot battle and a program suddenly thinks a boy who killed it is its friend. And where's the alien ship in all this? Maybe it's even more Canadian than I thought, and they're Mounties like Dudley Do-Right. One planetary infestation by Humans, one Mounty to clean it up.
The plot just drives all over at random, flailing around, and then plays happy music when the writers "and a miracle happened" their way out of any mess. Truly some of the worst plot I've ever seen. By this point, I actively loathe Maureen.
I really hope this doesn't get a second season, much as I like Judy and Dr Smith and even Don, and they managed to lose the Resolute as I hoped for last time; the rest of the Robinsons are still super annoying, and there's just no chemistry.
★★☆☆☆ for these eps.
An Amazon anthology series loosely based on PKD stories. As with all "Famous Name's Famous Title", the connection is tenuous at best.
Title sequence is appalling, like some direct-to-VHS shit Blue Moon would be ashamed to ship.
Many spoilers ahead for these terrible PKD adaptations, but also I would hope that you've read all of PKD's stories before seeing the terrible video adaptations. Many are free on iBooks or archive.org.
I want some good SF to watch again someday, is that too much to ask?
Real Life: If you're not sure if you're in real life or a dream, ask yourself if you actually know any of the facts of your life and job; you can't make up skills you don't know, for instance advanced math. The back-and-forth structure was annoying, and I thought both protagonists were vapid idiots. Also every technical phrase was gibberish. Avoid.
Autofac: "After the war, the land was decimated.": Decimation means to execute every tenth person in a rebellious province. Annihilated, Demolished, Exterminated, these are appropriate words. Fucking morons.
I loved the old short story, unstoppable delivery trucks, all-consuming factories, a long campaign of sabotage against the dumb but evolving autofacs, and the futility of opposing evolution. The Galaxy illustrations are fantastic, too: Spare but technical and precise.
SIGH. So this show: Good crappy post-apocalypse Amazon drone-shipping look, but too much computer tech with shitty Matrix-looking scrolling text, blondes who think dreadlocks are OK, and then a shitload of exposition, AIs and a girl in a jumpsuit who says she's a robot, and a WIRED magazine CEO profile saves the world. Bears about 2% resemblance to the story.
Human Is: Incoherent set of disconnected scenes. Space-Nazis on "Terra" (so you know it's the future—Dick often did that, tho) deciding to invade Poland^W Rexor IV with a single spaceship. Vera, Essie Davis, goes to a literally underground sex club with annoying jazz, spacing out at projection screens, and huffing drugs. Vera was a scientist in the story, but here she's some useless bureaucrat in a 1940s-German-inspired outfit. There's maybe the worst-shot combat scene I've ever seen.
Then asshole Space Nazi Silas turns nice, which clearly means he's not human anymore. The book's sappy romance and annoying child are here replaced with food and sex, which I shan't complain about. And then the worst court scene since Picard whined about Data's humanity. So trite and obvious it's like PKD madlibs. I hated this, but it's not so far from his stories as the other two.