What I'm Playing: Langrisser, Another Eden

Langrisser's a long-running series of tactical RPGs, later succeeded by Growlanser. The mobile game is very similar to the PSP Growlanser remake, or to Fire Emblem Heroes. Move around a map and fight battles with usually 2-5 heroes chosen from 10 classes with rock-paper-scissors interactions (Infantry -> Lance -> Cavalry loop, Holy -> Demon, Archery -> Flyers, Sailors, Mages, and Assassins are neutral). This has the usual mobage stuff of arenas, "Magic Rift" areas to grind because there's not enough content, gachapon to get more heroes and equipment. There's less blatant "waifu" T&A exploitation material in Langrisser than FEH or many others, there's a few but it's a more serious game.

The combat UI is excellent, maybe one of the easiest to control and see movement and combat ranges. Every character has a band of soldiers with them, which act as a sort of HP buffer, extra damage before you take damage and die; you can swap out what kind of soldiers to change your combat interactions! The scenarios are modestly hard sometimes, not Final Fantasy Tactics hard, but decent tactical puzzles, and many of them have bonus "Feats" like killing optional targets, finding a chest, and so on. Far better than FEH, which bored me to death, it never got interesting.

The main screen is the world map with a bunch of buttons around the edges, better than a blank button-filled home screen like most mobage, but it still has some annoyances. 3 or 4 places you have to tap every time you log in or do anything to collect all the little rewards.

Levelling up characters is absurdly complicated but I kinda like that. You increase "star" rating by collecting soul fragments in gachapon and quest events, but the overall rating of N, R, SR, SSR doesn't change, except for three of the main-story characters; you don't really want to use anything below SR. You also add experience levels, mostly by spending EXP potions, they only gain a little bit from combat. You also upgrade classes, first getting more abilities, then progressing to a more advanced class along a 3-5 stage tree. Equipment starts out scarce and at level 1, and also has to be increased by absorbing "hammers" and other equipment, and eventually by adding enchantments. After 3 days on and off, I have the main-story characters at R, and three SR characters (Imelda, mage, T&A BDSM waifu; Lance, flyer, stern badass; Silver Wolf, assassin, masked mystery man) almost fully equipped, levelled up, and I'm doing fine in the arenas. I have a lot of junk R characters who I wish I could recycle their souls for EXP or something; the only one I've used at all is a pirate captain.

I'm not sure how long I'll keep at it, but there's a lot of depth in the game so far; but I say that a lot just before I quit playing these mobage.

AnotherEden

The more important game got pre-released today, and goes live tomorrow:

I have very high expectations of this. Masato Kato, best known for Chrono Trigger, Xenogears, Chrono Cross, and Final Fantasy XI, has been working on this. So, I know there'll be time travel, branching stories, characters making heroic sacrifices, and a ton of crunchy turn-based combat and level-up strategies for the characters. Apparently it's only going to be solo, no events, arenas, or other mobage stuff, but does use gachapon for adding non-main-party characters. A huge contiguous world, no loading screens or warping.

The quotes from the staff in the interviews are interesting:

"This game was created with love by myself and the other staff who were raised on JRPGs. I want everyone to feel the same emotion and surprise I've experienced."
—Takahito Exa, art director

"This is a game which expands on the possibilities of the JRPG genre. It feels nostalgiac, yet modern. I think it's a game not only old-school Japanese game fans will enjoy, but also something younger people can get into as well."
—Shinwoo Choi, character designer

"If I was stuck on a deserted island and could only bring three things with me, I would bring a smartphone, charger, and Another Eden. If I have those, I don't need anything else in my life. I want everyone else to feel that way about Another Eden, too."
—Conomi Akahori, animator

The Boys are Back in Town

Coming sometime this year. I'm more than cautiously optimistic, given this. The Frenchman, the Female, and Mother's Milk look great; I'm not keen on their Wee Hughie or Billy Butcher but you can tell who they are, they're not obviously embarrassing like the Powers adaptation. Hopefully all of them can act the part. The few action scenes in the trailer look great, the slutty, trashy lifestyles of the rich and superpowered look right.

They've replaced Jack from Jupiter with an invisible man; and/or a tracksuit that stands up by itself. Which really isn't much of a downgrade from Jack, the whiniest and least useful of The Seven. Hm. Though Jack can fly, which is important at a couple points.

The Boys TV-The Seven

The Boys TV-The Boys

The Boys is the cure for taking superheroes as magical demigods. Garth Ennis asks, "What if people had superpowers? What if a corporation could make more of them? What would they be like?" And you know what the answer is. They're people, they would be terrible.

So, the CIA funds a group of counter-superheroes. They get a little power, but not much. They use dirty tricks and crime and scams to keep the supers from getting out of control, and killing more people. And even then, what kind of people do you recruit for such a job? Not our best and brightest, but damaged people who have a reason to fight these fuckers in spandex.

The Boys-G-Men

What I'm Watching: Carmen Sandiego

Remember "Batman: The Animated Series" from '92, the super art deco film noir one? And Erin Esurance? This is that, but in red.

The art and action animation are nicely done. It never has high detail, and sometimes smooth art deco looks too much like paper cutouts, but if you like this kind of thing, it works.

Opens with an annoying detective Chase with an outrasheous fronsh aaacksent by way of Monty Python, Julia a little lesbian cop with an iPad, "Red" running on rooftops, and "Player" (now her sidekick instead of the antagonist like in the games), a hikikomori otaku nerd who plays Control over a radio like Theora in Max Headroom.

Carmen's a running, jumping, grappling-hook-shooting superhero (antihero, but not really that anti-), which I'd chalk up to cartoon physics except Chase is merely human, risks a broken neck trying a rooftop chase. The other pro thieves also have amazing powers and advanced tech, which always makes me wonder why they don't start businesses to sell this tech instead of committing crimes.

However, then they start having dialogue and flashbacks, and the show grinds to a halt. The writing is stiff and formal, everyone clearly enunciates in silly accents, then LOOOOONG pauses between lines. Howard Hawks, where are you when we need you for some talking-over witty banter?! Well, long-dead, just like my patience with this fucking monologue they're STILL doing since I started writing this paragraph.

Of course everyone is obsessed with their tiny glass rectangles now, and can't imagine a world where anyone isn't. Would it be too much to ask for non-phone-based tech? I miss the videogames' insistence that everywhere is in reach of a home computer or phone booth.

Eventually her Thief School (oh no) cohort become Graham Crackle, Le Chevre (goat cheese), El Topo (the Jodorowsky film?), Tigress (clearly a fursuited camwhore), and Mime Bomb (horrific).

So, uh, there's a gem, the Eye of Vishnu. And we first see this dug up in Morocco. Which is, what, 6000 miles west of anyone who has ever worshipped Vishnu?! WHAT THE FUCK, SHOW. You have one job, which is to teach geography & history, and this is a failing grade.

The final caper in the school is not bad, though, and sets up her nom de guerre, costume, and a long-term goal for the series.

Started to watch a third ep, but the whinging ginger driver annoyed me so I stopped for now.

★★★½☆

May the Force be with Tuesday Music

"This one a long time have I watched. All his life has he looked away, to the future, to the horizon. Never his mind on where he was, hmm? What he was doing. Hmm. Adventure. Heh. Excitement. Heh. A Jedi craves not these things."
—Master Yoda

What I'm Watching: TempleOS Down the Rabbit Hole

A long, in-depth documentary on the late Terry A. Davis, author of LoseThos (pun of Win-Dows), later called TempleOS.

I'd seen Davis online for a couple decades, but never got far into following him. Davis was an aggressive, bizarrely incoherent "speaking in tongues" Christian racist who hated atheists, the CIA, and "N----rs", so you'd see his posts online and then he'd get downvoted or banned.

His OS, however, is fascinating. 64-bit, limited to VGA graphics, mostly but not solely single-tasking, no Internet or other networking, has a reasonably efficient Norton-style UI with hypertext everywhere, but constant scrolling, blinking, pop-up Bible quotes and hymns which would be maddening. All of which makes it weird but not that interesting, except it was written in assembly by one guy.

In college CompSci classes, you may "write an OS" which mostly means copying Andrew S. Tanenbaum's Minix piece-by-piece until you have a working Minix; which is great, Minix is fun, but this is a far more impressive feat.

LoseThos is for programming as entertainment.
It empowers programmers with kernel privilege because it's fun.
It allows full access to everything because it's fun.
It has no bureaucracy because it's fun.
It's the way it is by choice because it's fun.
LoseThos is in no way a Windows or Linux wannabe -- that would be pointless.
—Terry A. Davis

That's one of the most coherent explanations of the appeal of retrocomputing and low-level programming anyone's ever stated.

There's some interesting features, which are hard to get in modern OSs:

His long downward spiral of trying to be noticed online, then going off his anti-psychotic meds, his conspiracy theories, his embarrassing video streams, and then his final homeless wandering and death, are very troubling. For a long time he appeared to be getting by on donations from 8chan members simultaneously trolling him and supporting him. We do nothing to help these people, and let online gangs take advantage of them.

★★★★☆

What I'm Watching: Trigger Warning with Killer Mike

Rapper Killer Mike does stunts with a social purpose. But unlike, say, Jackass or Dear White People, he's not stupid or preachy, and he's funnier than the supposed professional comedians in those.

E01: Mike tries to live black for 3 days, only buying or using black products from black stores. Cue cruel and sadistic laughter, because that is really damned hard, even in Georgia. The "Figgers" phone is kind of a cheat, because it's obviously an Android made in China, but it's a real small network run by a black kid, Freddie Figgers. The look on Mike's face in the BBQ shop is heartbreaking.

I look a little sideways at his refusal to smoke Mexican weed; I've only ever smoked Washington or Canadian, but surely Mexican can't be that bad, they built a criminal empire on that stuff before legalization.

Still, he makes a good point about how the black community's been economically destroyed. His idea of a good "Black Friday" where everyone tries to buy black is interesting… but impossible where I am.

E02: Mike proposes replacing STEM/liberal arts schools with trade schools, starting with 1st grade. This one Annoying Red-Headed Kid is, like, the worst example of honkie ambition driving everyone else down you can get. Did Mike ship this kid in by asking every school district in the area for their most awful nerd? I predict 100% that ARHK will make a startup that defrauds people, and he'll never go to prison.

"I don't think school teaches you to think. I think school, like prison, teaches you to obey!"

So then he moves on to unemployed adults, and they're unmotivated, so he comes up with a great idea, which I won't spoil. Unfortunately, I find most of the people in his idea too unattractive to be effective.

★★★★☆

Runes

A text filter to convert ASCII sequences into nice Unicode or emoji. Call it from your favorite editor, or on the command line:

% echo "BEFORE {circle:this is some hollow text.} AFTER" |runes.py
BEFORE ⓉⒽⒾⓈ ⒾⓈ ⓈⓄⓂⒺ ⒽⓄⓁⓁⓄⓌ ⓉⒺⓍⓉ⊙ AFTER

More instructions in the README file.

What I'm Watching: Netflix FYRE: The Greatest Party That Never Happened

A documentary by Chris Smith, of "American Movie" fame. This is a lot glossier, better-produced, like a classic VH-1 Behind the Music special, just as much humor and schadenfreude as AM, but a lot less hope. Everyone who sits for an interview is great, especially the Bahamians; Chris did not interview Billy McFarland, who wanted to be paid for this, even though he's a convicted criminal and it's illegal to let him profit from a crime.

So, get a con man with a shitload of VC money, and a bunch of amateurs who've never organized more than a house party, to build a giant concert and housing on a Bahama island.

The, uh, "sacrifice" the elder team leader Andy is prepared to make is the turning point of this from badly-organized fiasco to Coen Brothers-level tragic-comedy.

"That's not fraud, I would call that… uh… false advertising" —Ja Rule

This goes from some of Billy's previous black-card scam Magnises, the setup and construction on the island, and a bit on the development of the app. Then the horrible launch day we all saw online, the aftermath, and one of the worst team endings I've seen in many years of shitty startups. And then after Fyre, there's Billy's next scam…

★★★★½

There's also a Hulu "Fyre Fraud" documentary, but they did pay Billy McFarland to be in it. I haven't watched it, and anyway don't have Hulu anymore.