What I'm Watching: Adventure Time

HoboMax has Adventure Time, and soon to have some spinoff specials "Distant Lands", so I watched seasons 8-10 which I hadn't previously seen, and I'm now rewatching 6-7 which I apparently don't remember at all. Who needs linear time?

  • Season 8: Mostly episodic, often great adventure episodes. This is what I liked the show for originally. "I Am a Sword" seems to be adventure, but then introduces a real tragedy, which turns into the Fern sub-plot for the next 2 seasons. "Preboot" and "Reboot" activate Susan's origin story, and "The Invitation" starts a very long 8-part story about the last of the Humans; individual parts of this were good, but continuity is annoying in a show like this. 11-minute episodes are perfect for delivering the science-fantasy parody, 2-parters are a little long, 8 is (if you'll forgive the '80s sitcom reference) enough.

  • Season 9: Immediately starts with another 8-part quest about elemental (Candy, Slime, Ice, Fire) corruption. While I like Ice King/Simon and Weird Lady/Betty in small doses, an entire series about two amnesiac obsessives is excruciating. Since all the elemental princesses and inhabitants are reduced to insanity, there's really only Jake & Finn to have any sane dialog, and Jake's just a dog. The last few eps resolve Finn & his weird grass clone.

  • Season 10: Almost all of these were terrible. "The First Investigation" was good, a nice self-contained story. "Jake the Starchild" and "Temple of Mars" are decent science-fantasy stories, but almost not Adventure Time. "Gumbaldia" and "Come Along With Me" (44-minute finale story) set up a final Ooo War between PBub and her insane Uncle/offspring, and halfway delivers on it. But then they ran out of plot, and were unwilling to go all the way and let the Candy Kingdoms nuke each other, so just added a new dumb monster for them to half-ass their way out of. BMO at the end of time with an almost empty world was interesting, and they failed utterly to deliver on it.

I loved classic Adventure Time, but the writers really got wound up too much in continuity and making sense of a senseless idea later on. It's Thundarr on E, Mad Max with candy characters. That's fun. A little "oh living in this vale of tears is kinda hard yo" goes a very long ways. Long plots ruin it.

★★★★★ for the single adventures, ★★★★☆ for the first serial, ★★★☆☆ for the second serial, ★★☆☆☆ for the finale.

WWDC 2020 Liveblogging

As posted on appdot.net:

Apparently I'm watching all of WWDC on my phone, because it's the only current OS version device in my house, and of course a course table and video player only works with the absolute latest updates! F'shaw, like last year's OS could handle a scrolling table?! Or video streams?!

Brings up George Floyd… but not . Some kind of fund for black developers is a good idea, but no details yet.

COVID, but nothing about the contact tracer or anything productive.

So now Craig.

"App Library" is like my page of folders auto-filled. With Apple Quality AI®, I'm sure. Probably not.

Widgets, OTOH, is a "finally!", move usable widgets from the dashboard to pages.

PiP, great. Had that on my TV 40 years ago. Everyone except me hated me using it to channel-surf while waiting for ads to end.

Siri: 25 billion requests per month. 3B of those are me "set a timer for 3 minutes".

Universal translator! That's actually pretty cool. I was gonna snark, but if it's even 75% accurate it'll make phrasebooks obsolete.

Oh god Memoji. The hideous ingrown noses are super goddamned offensive to those of us with a real beak.

Ha ha maps and travel. As if. Just cancel this section until next year, guys. And by then, the Eugenics Wars or Terminator Uprising will have started. Won't be no Paris to visit.

Car stuff, I don't care. I replace a car every decade if that, I'm still using a tape adapter to play from my phone. And if I was getting a new car, I'm not a big enough asshole to get a Beemer.

OK, App Clips is like the Watch app-lets, but virally distributed by NFC or QR code. Not web tech or anything convenient.

Apple Pencil, remaking the Palm Pilot or Newton UI from the '90s… today!

AirPods are not "magic". They are bluetooth devices which can make me nauseous and vomit when the audio delay gets high or out of sync. I loathe this whole idea of wireless audio.

I've worn an Watch since launch, and it's a great watch… All the stuff past time, calendar, timer, talking to Siri, kind of irrelevant to me.

Sleep tracking's maybe a little judgy for me, I know I have erratic sleep and a machine's not going to make it better.

"self-report" privacy report. So it'll all be complete lies. You can't trust marketing scum.

Home. Yeah, no, never letting a machine control my house. I barely trust light switches or the garage door remote.

What is this "Foundation" show? There's a woman in it. There's no women in Asimov's Foundation! (OK, there's 2 or 3 in the later books)

Why is it all dark and grim, cyan/orange tinted? It's a book of conference room meetings.

Oh, fuck. "Entirely new design". Big Sur? Seriously? I still think Weed was the best California name they should've used. Maybe Barstow if they wanted to go more Fear & Loathing.

"Buttons appear when you need them" = invisible mystery meat icons. Just what I never wanted.

They did the translucent menu bar back in Leopard? It was unusable.

And yeah, great, more shit moving into my menu bar, or a fake-Dashboard in Notifications. I liked the old Dashboard, one F-key or hot corner. 10+ years ago!

If I thought it'd be as reliable as Leopard, I'd be less wary.

Advanced new controls in Catalyst like checkboxes: Just like 2005!

Safari: Hey, the one mostly good product Apple ships. Let's not fuck it up too much, guys! Kick Chrome for being a slow fat-ass while it's down, that's smart. I like that.

I just want my adblockers to block all the ads, guys. I don't need fucking Yahoo! home page in Safari, I need the NY Times paywall to go fuck itself.

Recipe filter? What. Be serious.

Do I love tabs?
% safariCountTabs.applescript
Window #95 = 31 tabs - Window #99 = 5 tabs - Window #98 = 23 tabs - Window #97 = 26 tabs - Window #102 = 15 tabs - Window #103 = 14 tabs -

How's your update gonna work with this madness? And I cleaned up last week! It was twice as much!

All right. The thing that matters.

"Transitioning to our own custom silicon".

I guess "Fat Binary" is politically incorrect for fat-shaming, all-dancing, exercising Apple. So it's "Universal Binary 2".

And yes, of course they used the new hardware for the demos, that's a good old Apple stunt.

Seems like it's working full-speed. Which if it's compiled for the device, it should be.

I'm more concerned with what happens to non-native apps? OK, "Rosetta 2".

All right, what devices, how much, and how soon, Craigy?

Yes, yes, I played this shitty Tomb Raider reboot on the PS3. I care about code, not Lara's pixelated ass. Nor about running iOS apps, I have a phone.

Hm. Dev kit? I'm still very negative on Swift, but maybe I'll live (or find practical ways around that). If they're gonna make good new hardware, and I do like many of the things in Big Sur. They just went from "no plan, last year's tech, no future" to having a future.

Might be time to revise my plan, move my current iMac to Windows for games, use an ARM Mac for work and get back to shipping Mac/iOS stuff?

What I'm Watching: Ghidorah, the Three-Headed Monster

  • Ghidorah, the Three-Headed Monster (1964): Both UFO cultists and cops agree, heat wave in winter and meteor showers are weird. A cop is assigned to bodyguard a princess from a small island under civil war. Said princess is contacted by an alien voice and told to jump from the plane, and she never even got her drink! Scientists hike into the mountains to investigate a meteor landing.

I must say, Japan's wilderness looks fantastic. The cinematography on this one, in color!, is head and shoulders above previous films. Even when they go into matte paintings and sets, it looks good. They do interesting cuts, like using a subway car as a wipe. It's almost hard to believe this is Honda Ishiro still, not doing locked-down cameras and super simple cuts or wipes; earlier he was more a director of people and cool events, not using the camera well. Even the rear projections are now fairly close to seamless.

Naoko the journalist and the Princess are both cute as hell. Naoko's cop brother is kind of a doofus, and utterly extraneous to the plot. The bodyguard cop has no personality except brooding and shooting (not very well, he never kills anyone with at least 30 shots), and there's no love between him and the Princess in the first half; all he has is a picture, and she's not herself. Has Honda learned cinematography, but forgotten about romance as the main driver of Human-scale plots?! What a terrible bargain.

The Mothra twins appear on TV, and summon a vision of the Mothra larva. This is a Japan that just lives with the regular existence of giant monsters and magic on TV, I don't see how anyone can mock UFO cultists or prophets from Venus in that world.

"Stay out of Mount Aso, Rodan will emerge!" "Shut up prophet! … OH NO IT'S RODAN AAAIEEE!" Incredibly predictable scene, but perfect "fools die of their folly" scene. Rodan's costume & flying puppet are much improved over the first movie, but it's a little odd being more of a Pteranodon/Roc hybrid now.

"Don't get on the ship!" And at least the important characters pay attention, but the poor sailors are going to meet… well, who else would be in the ocean? Big G's moving eyes look really weird. The suit's otherwise fine, but definitely reaching the end of this first design.

Fools stand far too close to Ghidorah's… egg? Meteor? Spaceship? But someone must witness the birth of a death god. The Princess tells the protagonists the Earth is doomed, and sells it for once. We start to get a real kaiju cosmology here, with planets preyed on or defended by monsters.

Finally we have all the world's monsters assembled, rampaging begins.

The assassins chasing the Princess thru the entire film have been unstoppable, but not very competent, and kind of a waste of time. The plot as it is would happen without them.

Possibly too much of the monster scenes are them arguing with Mothra, rather than fighting, there's only a few minutes of King Ghidorah vs the three defending kaiju. There is a bit of destruction in Tokyo, but mostly it's a beloved peasant village or wilderness at the foot of Mt Fuji. Mothra's very slow and annoying power, Godzilla throwing rocks, Rodan standing around waving its wings, are enough to drive off the dragon. FOR NOW.

★★★½☆ - Needs about 15 minutes less Human time, replaced with monster fighting time.

This is a major influence on my favorite kaiju movie, GMK: Godzilla Mothra King Ghidorah Giant Monster All-Out Attack, but there Godzilla and Ghidorah switch places, and the subplots are wiped away so it's just reporter, crazy old man as "prophet", and monsters. And on the latest Hollywood Godzilla King of the Monsters, but there everything is 100x larger than life.

Flash End of Life

On the one hand, I'm glad Adobe took my advice from a decade ago to stop Flash, because it's just a virus loader, produces the shittiest software possible, and is the anti-WWW. Their marketing zealots calling everyone else "whiners" because of their flaws has gone from eyeroll to falling on the floor laughing comedy.

On the other hand, a lot of stupid Flash games & animations are dead now.

What I'm Watching: Us

  • Us: Another Jordan Peele Twilight Zone flick. Text crawl claims that there's thousands of miles of tunnels of mysterious purpose under America. With the implication that it's full of monsters. So Dungeons & Dragons is real?! Good to know, Jordan. Then there's 20+ minutes of utter boredom back in 1986, when normally I would rate the '80s as the least boring part, very briefly a scene with some tension and the little girl Addy.

20 years later (and it feels like it), the plot starts. Addy's very gentrified, possession-oriented black family settles into their Santa Cruz beach vacation house, get a boat, meet their honkie friend "Josh" and his blonde family at the beach. Nice and idyllic. And then out of nowhere, we get told more of the little girl's scene, and the monsters show up.

Addy gets tied up and terrorized a lot, Dad is utterly useless, but the kids are fairly impressive little survivors.

As a slasher flick, there really aren't enough victims, and it doesn't sustain the tension, it keeps releasing to long "oh that's over" scenes. The killers are more pathetic than terrifying.

SPOILER TIMES



















There's a lot of weird visuals, which are poorly to never explained. The remake of Hands Across America (a USA For Africa charity event, you may know the song "We Are the World") makes no sense, how did non-verbal shadows work this out? Police or soldiers will just destroy them once it's sunlight. Do politicians have their own shadows, and how would scissor-wielding maniacs get past the Secret Service? The final scenes show helicopters flying over woods, presumably where the Shadows Across America line goes? Why aren't they firing or dropping bombs on these known mass murderers?

Addy has a final descent into the mythic underworld by escalator (her knowing the way down telegraphed her origin, but it has problems, too), where she finds bunnies running loose (but no explanation how the killers raised them down there, or where all the supplies come from), and a long nonsense explanation about cloning and souls.

The duel/dance is passable, but Addy never cooperates with Red's dance, which would've made this fight more interesting. I think especially of Jet Li's The One, where he fights himself, but each has mastered a distinct martial arts style, so the fight's visually amazing. This is… it reminds me of Marvel movies, where there's amazing fight choreography but the actors aren't all up to performing it, so you get a martial artist fighting a drunken bozo.

The final revelation about Addy doesn't make a lot of sense. Addy's awful vulnerable and emotional for a soulless murder machine like the others. Red's croaky voice is from being strangled, fine, but why didn't she ever come up to the surface before? How did she organize a worldwide cult of the shadows to come up at the same time, when they don't talk, or really seem aware?

Obviously I'm pretty tolerant of implausible premises in movies, given my love of kaiju and fantasy, but this one falls apart internally worse than most.

★★★½☆ Good try, Jordan, better than your awful Twilight Zones, but not another "Get Out". Jordan Peele is the new M. Night Shyamalan.

The concept's been around a while: Mirror people, dopplegangers, or faerie changelings, ultimately going back to pre-historic myths. My favorite's in the Nightbane RPG by Palladium Books, where the Nightland (always dark, mirror image Earth) is populated by dopplegangers of Earth people, just waiting for a chance to use a mirror as a portal and kill and replace you (Nightbane also borrows heavily from Clive Barker's Cabal, Great and Secret Show, and Hellbound Heart). I really should dig the books up and run Nightbane again.

What I'm Watching: Unfriended: Dark Web

  • Unfriended: Dark Web: Written and first-time-directed by Stephen Susco, the writer of the American Grudge remakes (which utterly missed the point: The Japanese films were cursed hauntings of familiar, safe places; the American ones set in Japan are hauntings of a person who's already alienated and scared, not to mention that Sarah Michelle Gellar's range doesn't extend this much beyond stabby cheerleader). And it's a Blumhouse film, which is to quality cinema what pickled pigs feet are to cuisine. BUT I DIGRESS.

Do you want to watch 90 minutes of a doofus with terrible hair using Facebook® and Skype® on a stolen MacBook? Because that's what this is. It never takes the camera out of the screen, which is an interesting choice; everyone has a giant selfie-cam in Skype, right? I will say, this may be the only movie I've ever seen use Terminal on a Mac. Also the "Papaya" app for translating speech to text to personally-recorded American Sign Language videos (because the doofus's girlfriend is deaf, and he's too much of an asshole programmer to practice ASL without writing code for it) is unique. Awful, but unique.

But then it goes into discovering the previous owner made torture porn/snuff films for an obscene amount of bitcoin on a darkweb site named "The River", populated by "Charon 68" ("they never made it to 69"), a figure who projects static into all cameras appears, and things get more and more desperate.

A film of just finding the snuff films and chasing down the perpetrator online would be interesting. But the squeamish characters stop the doofus from playing any of the videos for more than a few seconds, eliminating the only actual horror in this "horror" movie.

Then it goes from a slightly fantastical computer horror show, to a secret society of utterly impossible killers and l33t h4xx0rz, and cops that show up in 2 minutes. The last half ruins a perfectly good premise.

I watched the "Extended Edition", which has a bad ending for everyone, but given the super-powered secret society, it's the only consistent ending. There's also an incredibly stupid "Charons vote and think he's enough of a bastard to live" happy ending on the regular edition.

End credits are live-edited into what looks like SSL source code; ironically if anyone had been using SSL, drive encryption, and secured their computers with more than 1-letter passwords this entire script would be impossible. I assure you I keep my snuff flicks (no.) and darkweb bitcoin lockers (also no.) in an encrypted volume with a long password written nowhere else.

This is a sequel/remake of Unfriended, which I have not seen but is apparently an actual ghost haunting Facebook®, which might be more plausible than what I just watched.

★★☆☆☆ — not bad enough to be good, but stupid enough to be funny at times.

What I'm Watching: Mothra vs Godzilla, end of Watchmen, cartoons

  • Mothra vs Godzilla (1964): Environmental destruction, in this case draining wetlands to make an industrial zone, exposes radioactive material. An egg floats near land, and is brought ashore. The twin fairies and Mothra herself show up asking "please give our egg back", but a greedy land developer, backed by even greedier billionaire, puts the egg at the center of a theme park. None of this can end well.

    I'm fairly displeased by the green screen/rear projection tricks in this one. It was early days for color, but it wasn't a technology ready for this time.

    The reporter and sidekick cameragirl are fine, kind of a Howard Hawks-like situation, and they're not stupid, and not unreasonably competent; there's only so much the press can do against a developer who doesn't care. Eggman, the reporter who loves eggs, would be annoying comic relief except he's not onscreen all that long.

    There's a visit and multiple visions of the natives of Infant Island, who've been nuked and struggle to survive in a barren wasteland. They're implausible primitive, but Japan has a long imperialist history of its own to deal with here. The fairies sing a song every scene they're in, which is somewhere between charming, mystical, and "oh shit I hate musicals".

    The monsters appear after half an hour. Godzilla as the walking force of destruction, Mothra as the ancient mother ready to protect her egg, and sacrifice to help the Japanese who have done her people so much wrong, and later the gross Mothra babies as the cycle of life. Their squeaking really gets on my nerves.

    The military/JSDF is portrayed unusually competent here. In most Godzilla movies, they are baffled, they try to fight, and die, and are utterly pointless. But this time they have competent plans, and are not doing too bad. They can't win but they can fight Godzilla to a standstill while evacuations take place.

    The ending isn't reasonable. 10 children and a teacher vs thousands dying on the mainland is a small price to pay. Godzilla hates squeaky little bugs like the Mothra larva, but they aren't actually harming it, and their secret power takes forever, during which time Big G should nuke them into oblivion. Hmn, in 1968, Star Trek had the Tholian Web episode, which has some similarities.

    ★★★½☆

  • Watchmen: Finished up. Happily this isn't getting a second season. Big time spoilers, but don't worry about it, you're not missing anything by keeping it secret.

    In the comics, Dr Manhattan's first action as a superhuman was to reassemble himself from nothing, after disintegration. When Ozymandias… inconveniences… him, he pulls himself back together in very little time. So it's utterly ludicrous that the whole plot of the series was to disassemble Manhattan again, and then "absorb" his "powers". His power is that his nervous system constantly reassembles matter to stay existing, a magic booster shot of Manhattan won't make someone else into a superhuman; maybe disassembling them in the right conditions would.

    So the hillbilly Senator, and Lady Trieu's entire plan, and the egg scene at the end, are just nonsense.

    Adrian's escape plan is dumb but amusingly portrayed, Jeremy Irons does occasionally wake up and play Ozymandias instead of just sleep-walking across the set in some tired English country drama. That's about the only part of this entire 9 episodes of bullshit that I enjoyed.

    Later, Adrian using frozen baby squid as an orbital Project Thor system is fun, but the actual effects would be rather more catastrophic, even with frozen organics from high atmosphere instead of tungsten rods from orbit, they're probably impacting at 3 km/s, ~1 Rick (Robinson, not Sanchez) each, so equivalent to 0.25 kg of TNT per squid, and there's thousands of squid. Holding a box over your head won't help. The area impacted would look like a giant cheese-grater had run across it to a few meters depth. And this is why we shouldn't let psychopaths have teleporters or spaceships!

    Fake delayed tension is all through this shitshow, but most notably in the minutes of "run!" "what?" "take shelter!" "who is this?" "you're gonna die!" "uh..." vamping when they would clearly already be dead. Again, I hate Damon Lindelof and hope he gets cancer of the fingers and tongue so the world will not again be plagued by his writing.

    Angela Abar (Regina King) is OK, decent action-hero chick, but she plays a detective very poorly; just hits her marks and says lines she clearly doesn't believe. As Laurie/Silk Spectre, I preferred the dumb but very fit Laurie (Malin Akerman) from the Zak Snyder Watchmen to this one (Jean Smart) who couldn't do a pushup let alone plausibly be an aging costumed vigilante G-woman.

    Hillbilly conspiracy theory cop Looking Glass (Tim Blake Nelson) is amusing, maybe not good, but funny. Very ancient Louis Gossett, Jr as Grampa Will is kind of sad, I didn't even recognize him, but I can't hate on Lou even if the role is badly written. Everyone else is a cypher or a walking meatstick.

    They couldn't even get Robert Redford to do a cameo as himself. Incompetent Lindelof wrote him a letter, and he wouldn't even respond.

    ★½☆☆☆ — I appreciate Irons' Adrian enough to not completely savage this, but don't watch it.

  • Adventure Time, Space Ghost Coast to Coast, Rick & Morty, etc.: There's a lot of amusing cartoons for both kids and drunk/stoned adults on here.

What I'm Playing: Clubhouse Games: 51 Worldwide Classics

What I'm Playing: Clubhouse Games: 51 Worldwide Classics

I loved the version on the DS, so I got this the moment it was released on Switch.

You start by picking from a set of little human pieces, which you can recolor their skin & hair, but not their appalling clothes. I almost went with Dad there, but in the end Cool Bro looks better. Looking at the random other players later, I see a lot of them chose that or Suit Guy. As I've noted before, Nintendo has Mii avatars, and then doesn't use them in games even where it'd make sense. You see a little face photo of your Mii in some games, but it should use your Mii in the world! Nintendo is so frustrating and anti-social.

Then you go to a globe UI, with figures representing "guides" that give you a menu of a few games. Or you can just pick any game from a preposterously long line menu, or you can hit X (up button) to switch to a grid which is more reasonable. UX is very confused, always a couple extra button presses or spinning the cursor around a too-large area to get to anywhere you want. You unlock more guides by playing games, earning trophies.

Your piece has up to 5 "recommendations", but you can't set them from in the game, you have to go all the way back out to the globe, find your piece, and add them from a list. And these don't help you jump back to a game fast, you have to find it in the grid every time.

Like almost all Nintendo software now, there's no settings for audio, and the "music" is driving me insane, but I need the sound to play some of these, so I'm constantly muting and unmuting. At least in the old days, Nintendo's music had complete scores, but they've apparently fired all their musicians, this is just beep-doo-beep-de-beep, over and over until I stab someone.

Each game starts with couple figures playing the game with often amusing commentary—the kids narrating Connect Four as a samurai duel is fantastic—often enough tutorial for anyone, but it immediately comes up to a menu with "How to Play" and Play, and hitting + in game usually gets a help menu. They're trying to teach you games you may be unfamiliar with. However, showing the tutorial EVERY time you start a game until you hit X (up) is insipid.

There are medals for winning against the AI and playing at least 2-4 times depending on the game, so there's a little grind possible if you're into that.

Nintendo History guide gives you: Hanafuda, Gomoku, President, Shogi, and Riichi Mahjong, which Nintendo made for a century before going into the videogames business.

Many of the games have local and Internet multiplayer, which I haven't yet tried. I expect the usual Nintendo® Quality™ networking, which is to say everything will drop out constantly. I'd rather play against AIs.

Current playlist of 11 good, 16 bad, 25 unplayed doesn't seem all that positive, but the good games are usually very good, and you can just ignore the stupid ones. The constant terrible music is the only strong negative.

I'll keep updating this post as I play more of them.

★★★★☆

bold is good, italic is bad, plain is I haven't bothered to play it yet.

  1. Mancala: aka Awari. Anyone who's typed in games from Basic Computer Games is intimately familiar with Awari. It's a weird little game, but fast and fun, and there's just enough strategy against a smart player (not the AI) to make it hard to win.
  2. Dots and Boxes: "Boxing" is also very familiar from school. The first player (default to you) is at a severe disadvantage, but it's possible to only give up a few boxes to the second player, and then clean up the rest.
  3. Yacht Dice: aka Yahtzee, Poker Dice. Nice enough, but I found the controls a little finnicky, it should not use the "do stuff" button for both pick and reroll. Slaughtered the AI, as one would expect.
  4. Four in a Row: aka Connect Four. Pretty dull, aside from the tutorial.
  5. Hit and Blow: aka Mastermind, Bagels, etc. with an unfortunate translation name. But I dislike the color-matching version, I'm a numbers person.
  6. Nine Men's Morris: I don't understand this game. You start playing while setting up, and it just screws anyone who loses one piece. Also obviously should have been #9.
  7. Hex: Again, should've been #6. It's a road-building game, dumb low-challenge game.
  8. Checkers
  9. Hare and Hounds
  10. Gomoku
  11. Dominoes
  12. Chinese Checkers: aka Pegboard. Not Chinese, sort of checkers except nothing is captured.
  13. Ludo: aka Parcheesi, Sorry!, Trouble, etc. I switch to the 3 dice to come out rule, rather than automatic/on 6, otherwise it's Parcheesi (not quite Indian Pachesi), a good being-dicks-to-each-other race game.
  14. Backgammon: An ancient dice game, a good fun game. I dislike the joycon controls, cursor-moving by spike around the track instead of selecting individual pieces left/right.
  15. Renegade: aka Othello, Reversi, etc., pretty standard. I lost really badly the first round, and then eked out a win, I've always been bad at this game, or anything that requires me to do deep analysis of simple positions (go, checkers, etc.), I'm a broad strategy for complex positions (wargames) thinker.
  16. Chess: There's a sort of lesson program, but the starter AI is incredibly suicidal, so it's not even interesting. Probably it gets harder, but I'm not that interested yet. I dislike the set design, it's very hard to tell the pawns apart from bishops, queen from king, and there's no alternate set option. Still, it's Chess.
  17. Shogi
  18. Mini Shogi
  19. Hanafuda: Very pretty cards, but I've never learned the sets, and visual association like this is harder for me. AI let me win 3/3 on this, which is crazy since I was just clearing chaff, I never saw more than 2 cards of a good set. However, after winning the guide "gave me a gift" of Mario-themed Hanafuda cards, so that might be easier for me. I think this might be worth practicing at.
  20. Riichi Mahjong
  21. Last Card: aka Uno, Crazy Eights. The card branding is almost but not quite infringing on Uno, so it hits that uncanny valley effect, and I kinda hate looking at it. AI didn't stand a chance, I don't know what they were even doing, picking cards at random? There isn't much strategy to Uno, but no strategy means you lose.
  22. Blackjack: Gives a limited number of rounds, and chips but you can go into debt. Does not have Split, which is kind of amateurish, and it doesn't have the dealer check their down card on A or 10 up, so you might play a round and find out they have Blackjack. It's bizarre beyond belief that they didn't make Blackjack be game #21, but #22. But I can always play a few hands of Blackjack.
  23. Texas Hold 'em: aka Poker.
  24. President: aka Asshole, Daifugo, etc. Kind of an annoying party game, giant hand of cards to manage at start. I hate the rich-get-richer mechanic, which is why it's sometimes called Capitalism, but it's more like Monarchy.
  25. Sevens
  26. Speed
  27. Matching
  28. War:

    War, huh!
    What is it good for? Absolutely nothin'
    Say it again, war, huh!
    What is it good for? Absolutely nothin', come on!
    —Bruce Springsteen, "War"

    I timed this, and it takes 5 seconds and one button-press for each card, and it always resets the cursor to the rightmost card, so it takes a minimum of 2.5 minutes. Was this included as a prank?

  29. Takoyaki: Ten octopus. Almost as random as War, but you get a choice when Joker is drawn, and it's much faster. Winning this nonsense unlocked a Mario-themed card deck!

  30. Pig's Tail: aka Buta no shippo. Instead of a little action game of throwing drawn cards into a pile but avoiding matches, it's a completely random War-like, with a slow "penalty cards" deck.
  31. Golf: Cute little putting game, only has 3 clubs: Driver, Iron, Putter. It's not quite a wacky golf or mini-golf, but it's not any kind of realistic golf simulator.
  32. Billiards
  33. Bowling: Has touch controls or joy-cons, but I have a Switch Lite, so I just went with touch. A little rocky start, but then I can get a strike most throws. IRL, my aim is a little too erratic, but I've played hundreds of hours of Ramp Champ and other touch-stroke games on iPhone, so this isn't hard for me.
  34. Darts
  35. Carrom: Like marbles or pogs, but without the freedom of motion, and a strange "queen" you have to take another coin after or you put it back. I don't know that I like this game, it takes too long and the controls are stupid (stick to move up/down only, L/R to aim?!), but it's competent and kind of interesting.
  36. Toy Tennis
  37. Toy Soccer
  38. Toy Curling
  39. Toy Boxing: Lightly based on Rock'em Sock'em Robots, but without the pop-up heads or movement forward/back, just button-mashing. Controls are A/B to wobble your guy's arms out to hit or up to block, which is implausibly hard to switch between, they should've used L & R shoulder buttons. Normal AI is easy, Hard AI is brutal, I assume the others are unwinnable?
  40. Toy Baseball: Accurately simulates a cheap mechanical baseball game from the '60s, with maybe the worst pitching stick control I've ever seen. Once I got the hang of it, I recovered from 0 runs to 3, while the machine that doesn't fumble with sticks got 6. Not likely to play more. There's no Toy Football, as that's not "worldwide".
  41. Air Hockey
  42. Slot Cars
  43. Fishing
  44. Battle Tanks
  45. Team Tanks
  46. Shooting Gallery
  47. 6-Ball Puzzle: A weird collapsing ball Tetris variant, not as interesting as Bejewelled or Tetris.
  48. Sliding Puzzle
  49. Mahjong Solitaire: 20 layouts each for Beginner, Standard, Advanced difficulty. Has a nice color-assist, which is good if you can't easily make out the stack depth. I can see this being a big time-killer for me.
  50. Klondike Solitaire
  51. Spider Solitaire
  52. Bonus: Piano: The piano has a single octave, the help says the buttons or shaking joycons does something, but it does nothing on the Switch Lite at least. Turning the device upside down gets you a synth with 4 octaves selectable by button, but the keys don't rotate into normal position, so it's pretty unusable. I would prefer a real "toy piano" simulator, but then you may as well buy a teaching piano toy or a proper cheap synth, they're $30 or less on the 'zon.

Science Fiction on the Archive.org

In light of asshole publishers attacking archive.org: Hachette Book Group, Inc., Harpercollins Publishers LLC, John Wiley & Sons, Inc., and Penguin Random House LLC.

Libraries are important, and we need to do everything to protect the biggest one in the world.

So here's some SF, mostly cyberpunk, mostly POC or marginalized protagonists, mostly collapsing urban environments. Plus Zeitgeist, which is an optimistic view from 1999-2000, remember when that was possible?

Snow Crash-Neal Stephenson

Synners-Pat Cadigan

Streetlethal-Steven Barnes-cover

Eclipse-John-Shirley

Cornelius Chronicles-Michael Moorcock

Zeitgeist-Bruce Sterling

True Names-Vernor Vinge

Hacker and the Ants-Rudy Rucker

Schismatrix Plus-Bruce Sterling